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Dates refer to when review was written
I Am Not An Animal (10/05)
Former Fist of Fun alumnus Peter Baynham
wrote and directed this surreal animated series about a group of intelligence-augmented
animals who escape from their lab and set out in the world, unaware that
they aren't humans. The cut-out photo realistic style is a bit disturbing
to get used to, but the characters are so well defined that the fun is
seeing them react to a world they never made. Produced by Steve
Coogan who also provides one of the voices (a very urbane horse that
wears pants).
Ian Hislop's Scouting For Boys (7/09)
Satirist
(and former scout) Hislop takes a serious look at Robert Baden-Powell
and how he invented scouting from whole cloth in a book which became a
movement that swept the world in this BBC documentary.
Ian Hislop's Olden Days (6/14)
Hislop's
latest three-part documentary for the BBC explores British nostalgia
and how much of it was invented. Walter Scott for example
single-handedly created many traditions of Scotland with his novel "Waverly"
(originally written to suppress ideas of Scottish rebellion), and then
chivalry with "Ivanhoe." This doesn't mean this mythology is any less
valid, but it's fascinating to see its sources and how quickly it was
adopted by societies at the time to advance their goals.
Ian Hislop's Stiff Upper Lip (12/12)
The Have I Got News For You panelist presents this three-part BBC
documentary about the history of British stoicism, how it developed
and became fashionable during the Victorian era, helped the country through two world wars,
but seemingly has faded away with the advent of showing tears on
reality TV, and the reaction to Princess Diana's death.
The Ice Cream Girls (6/13)
Three
part ITV drama about Serena who returns to her seaside hometown with
her husband and daughter to care for her mother but must face up to her
terrible past she's kept hidden for decades. In flashbacks we see her
friendship with working class Poppy who we discover has spent years in
jail for killing their teacher--something Serena knows more about than
she is telling. Modern-day Poppy (Jodhi May) gets released from prison
and discovers Serena is back in town as well. But no one is willing to
give the parolee a break. Serena, meanwhile, is difficult to sympathize with
completely, she is so used to lying and covering up. Based on the novel
by Dorothy Koomson.
The Ice House (7/97)
Two-part mystery by the BBC (co-produced with WGBH) that kicks off
with a body being discovered nearby an estate where three women have been
living together. Is it the murdered husband of one of them who went missing
10 years earlier? As the police investigate it turns out nearly everyone
has a secret they are hiding, including the cops. Many skeletons come out
closets before all is revealed in this well-acted suspenseful drama.
I.D. (9/97)
BBC TV movie about a young Met detective who goes undercover to investigate
soccer hooliganism at a "hard" football club but takes his new role and
friends too seriously. A shocking look at the violent culture behind soccer
fandom in Europe, with opposing fans kept caged and apart in stadiums with
security that would make a prison blush.
Ideal (7/09)
Johnny
Vegas stars in this BBC-3 comedy that is set entirely in his flat where
the strangest people drop in. That's because he plays a minor dope
dealer but must also deal with lodgers, girlfriends (and
ex-girlfriends), gangsters, and religious fundamentalists who are
renovating his bathroom. There is no laugh track, it's shot
single-camera style, and you either buy into this strange world and the
people who populate it, or you don't.
If I Ruled The World (7/98)
Latest in a line of Have I Got News For You
clones, with Clive Anderson hosting a celebrity quiz show mocking politicians.
Team captains Graeme Garden (The Goodies) and Jeremy Hardy along
with one guest each, represent two different nameless political parties
who must answer Anderson's calls to disagree with statements no matter
how absurd ("The Queen Mum is a nice person"), reply to a question without
using the words yes or no, or guess how the studio audience would have
responded to a poll. In fact it is the audience who ultimately scores the
winner, voting via handsets for whichever team they think should form the
next "government." Obviously intended to demonstrate that politicians can
say anything at anytime without really saying anything, a little satire
goes a long way in what must be assumed was hoped to be a long-running
series.
If You See God, Tell Him (2/94)
"God" here is Godfrey, the mentally incompetent father of a long-suffering
dentist (Adrian Edmondson). It seems Godfrey has suffered too many knocks
to the noggin and as a result only has an attention span of 30 seconds:
just enough to absorb and believe everything he sees on television commercials.
As a satire of the domestic unit, this series falters. But as a parody
of commercials and the contrast between their upbeat consumerism and harsh
reality, it's brilliant. The ad parodies aren't bad either - slickly produced
and just enough over-the-top. In the end, Godfrey retreats into a world
of his own where everything is solved with a happy jingle and a convenient
product. What we're left with isn't so much sad as true.
I, Lovett (5/93)
Series based on the Comic Asides pilot.
This fantasical comedy series stars Norman Lovett, THE "Holly" from Red
Dwarf, as a bizarre inventor who is surrounded by anthropomorphic animals
and objects. At the time I saw the pilot, I hated it, wishing Lovett had
remained aboard the starship. As a weekly series, curiously with an extremely
adult persuasion - this is not a kids show, it doesn't seem so bad. I liked
getting together with Norm and his odd little world each week. Whatever
the merits of the writing, Lovett's delivery is always priceless and worth
seeing.
The Illustrated Mum (7/04)
Michelle Collins stars as a single mother of two girls who is manic
depressive and prone to wearing a lot of tattoos. Her older teenage
daughter is savvy enough to stand up for herself and make friends and be
popular in school, but the younger grade school sister is picked on constantly
for having such an unusual mother. Collins obsesses about reuniting
with Mikey, the older sister's father, and actually manages to find him,
but he's more interested in raising his daughter than dealing with the
flaky mother. Plus this leaves the younger one to cope on her own.
Fortunately, Channel 4 didn't want to depress everyone too much, so a promise
of a better ending is given these three (and the audience) for having survived
the sometimes grim drama.
I Love The 70s (11/01)
Each year of the 1970s are lovingly brought back to life in this 10-part
series, each hosted by a relevant celebrity (Lynda Carter, Bo Derek, even
Kermit the Frog) describing the sights, sounds and phenomenons of each
year. Absolute heaven for nostalgia buffs. Followed soon after
by I Love The 80s then 90s...well, you get the idea.
I'm Alan Partridge (1/98)
Steve Coogan (Coogan's
Run) resurrects unctuous TV presenter Alan Partridge, last seen
with his career in ruins after a disastrous Christmas Special (Knowing
Me, Knowing Yule). Now an early morning DJ on Norfolk radio, Alan
lives out of a motel and desperately tries to get another TV series but
his toxic personality thwarts him at every opportunity. Not everyone cares
for Coogan's "lovable losers" but I find them fascinating - very real people
who exist in a peculiar, but believable universe.
Imagine: Monty Python (8/14)
In
the run-up to their reunion shows at the O2 Arena during the summer of
2014, this Alan Yentob documentary followed the boys as they prepared
to make (or recreate) history. We see a lot of behind-the-scenes
activity, including director Eric Idle (the guys let him get on with it
since he had proven to be rather good at theatrical shows by this
point) sifting through a storage unit in California to retrieve an
important prop.
Imogen's Face (11/98)
Three part ITV drama with Samantha Janus (Game
On) as one of two rival sisters whose sibling has always been jealous
of her good looks and perfect life. But things aren't like they appear,
with the "perfect" husband proving to be a heel (he gets the sister pregnant),
and old family skeletons are revealed, but eventually everything is resolved.
A good, involving story.
The Impressionable Jon Culshaw (3/05)
ITV nicks BBC's Dead Ringers best weapon:
uber-impressionist Jon Culshaw who does devastating versions of Tony Blair,
Russell Crowe, and Tom Baker among others. Britain has always loved
impressionists, especially those that can do political figures, from Mike
Yarwood in the 1970s, to Rory Bremner in the 90s (still going strong) to
Culshaw today.
In A Land Of Plenty (1/02)
Ambitious 10-part BBC drama about an upper-middle class family and
their rise and fall over the decades as told from the present day.
Beginning the 1950s, a young, sensitive woman marries an up-and-coming
industrialist who buys her a mansion and promises to make love to her in
every room. Needless to say, there are a number of children underfoot
within a few years, as well as a permanent staff. But all is not
well and, as the sixties unfold, she wants to be a poet, while her husband
is only interested in money and his business. Tragedy strikes and
then we follow the threads of the lives of each of the children through
the 70s, 80s and to their eventual destinies today. The actors age
well (and most of the kids are played by at least four people), the clothes
and props are right on as you would expect, and the continuing soap-like
drama makes for compelling viewing once you make the commitment to watch
this.
Incredible Adventures of Prof Branestraum (9/16)
Harry Hill stars in this TV Movie as a very absent-minded English
scientist and his wacky inventions. Adapted by Charlie Higson
from the Norman Hunter novel, Branestraum is the bane of his small
village, particularly when his inventions go awry. Miranda
Richardson, Adrian Scarborough and Ben Miller play less-than-amused
villagers to his antics.
The Inbetweeners (3/10)
The
comic misadventures of four sixteen year old boys at a comprehensive
school are narrated by Will (Simon Bird), an unpopular nerd in this
Channel 4 series. Will is the kind of person who will eventually grow
up to be a comic, perhaps the next David Mitchell, but now he has to
survive the thousand cruelties of school. His only friends are Simon,
a fairly intelligent and good looking boy, but with poor choice in
girls and with parents who dispense terrible advice; Jay, a compulsive
liar and exaggerator; and Neil, who is thick beyond words. Funny, but
at the same time, painful to watch, we've all been there, humiliated in
front of our peers with no escape in sight.
An Independent Man (11/96)
George Cole stars in this ITV drama about a successful London hair
salon owner who gets into local politics but refuses to play petty party
rivalries. Naturally the entrenched forces, both Labour and Conservative,
see him as a loose cannon and try to derail him at every turn. But the
street smart Cole outwits them each time - Power to the people! (Wait?
Wasn't that Citizen Smith?).
The Indian Doctor (12/10)
Sandjeev Bhaskar (Goodness Gracious Me, The Kumars At No. 42)
stars this this mini-series as an immigrant doctor in a small Welsh village in
1963 that was serialized over five days one week in the afternoon on
BBC1. I still don't quite understand the BBC's logic in hiding under a
rock quality dramas like The Indian Doctor (and Moving On
in previous weeks) when most viewers are still at work. Perhaps
iPlayer has so changed the TV environment that it doesn't really matter
when a series goes out figuring most people can catch it On Demand
afterwards. In any event, I enjoyed The Indian Doctor
whose premise might sound a bit like "Northern Exposure": a big city
doctor stuck in a town of eccentrics in the middle of nowhere. But
Prem Sharma, the eponymous character played by Bhaskar, is married to
Kamini, an intelligent but ambitious woman who doesn't take too well to
their posting to south Wales. But Prem takes to his new job and more
or less makes a good impression on the villagers of Trefelin (not to
mock the Welsh but it sounds a bit like a Doctor Who monster). Some of
the dramas include Prem's cute receptionist and her budding romance
with a local boy who wants to be a singer, and the English couple who
run the colliery who think they run the village and have a secret they
hope Doctor Sharma won't uncover. Kamini, played by Ayesha Dharker, is
the most interesting character. Used to a life of luxury back in India
(they had 10 servants and hobnobbed with the Mountbattens), wants the
best for her husband and herself, which to her means living in London.
But at the same time, she is a perceptive woman who forms a bond with a
local truant boy and tries to teach him to read. Aside from the Asian
immigrant angle, The Indian Doctor will remind you of other similar period dramas like Heartbeat and Born and Bred
but the good cast, beautiful Welsh countryside and gentle humor
make it an entertaining series despite its crummy timeslot.
Injustice (6/11)
In
this five part ITV mini-series James Purefoy stars as William Travers,
a brilliant barrister who moved his family from London to darkest
Suffolk because of a breakdown. Purefoy played Mark Antony in the
series Rome and he exudes a
darkness here as a man who on the surface apparently has it all
together but is haunted by something in his past. In the first episode
we also see a parallel story launched involving an unsentimental
detective played by Charlie Creed-Miles ("The Fifth Element")
investigating a murder at a remote farm house. Is there a connection
to Travers? With scripts by Anthony Horowitz who gave us the very
entertaining Foyle's War,
you can be sure that the various strands will collide before the
conclusion. Creed-Miles defies the audience to like him, he is quite
possibly the most obnoxious character on TV in years and yet he's a
really good cop. His wife beating goes a bit far though and he gets
his just desserts, ironically just before delivering the case on
Travers. The ending is not what you'd expect.
The Ink Thief (1/95)
Another elaborate fantasy series aimed at kids about a creature (Rocky
Horror Picture Show's Richard O'Brien) who wants to take over the world.
Aiding him is a young boy whom he seduces by promising to "fix" the world
with his help. But the boy's sister teams up with a plethora of fantasy
creatures in order to save the day. Plenty of music and imaginative sets
keeps the pace going over the seven episodes.
The Inspector Pitt Mysteries (1/99)
The title presumes there will be more than one, but the pilot, "The
Cater Street Hangman," (already run on A&E) gets off to a good start
introducing us to the young, but brilliant Pitt who teams up with a liberated
young lady to solve a series of grisly killings in Victorian London. Much
is made of the different attitudes of class distinctions (which Pitt refused
to recognize, having come from humble beginnings) which is unsurprising
being an ITV production, based on the Anne Perry novels. Nicely mounted,
I look forward to future stories.
Inside Victor Lewis-Smith (11/93)
A clever comedy series devised by the television reviewer of the London
Evening Standard (conflict of interest?). The paper never runs a clear
photograph of him and viewers hoping to get a better look at him in his
own series will be disappointed: It begins with him in a motorcycle accident
and then he is rushed to the BBC Hospital For TV Personalities (run by
Nickolas Grace), wrapped up like a mummy, and put on life support. All
the sketches occur in his mind, which the doctors are monitoring (creating
a bit of mini-drama right there). Funny stuff, especially considering you
never see the titled presenter!
In the Best Possible Taste: A Tribute to Kenny Everett (11/95)
In the 1970s while Benny Hill was working away over at ITV (to be endlessly
recycled here in America ad nauseam), the BBC had Kenny Everett. In this
compilation from his various variety series from then, one quickly realizes
that good taste was not always on the forefront of Everett's mind. But
he was funny and his many characters are fondly remembered by those who
worked with him. Die-hard Anglophiles with long memories may recall some
of these shows from runs on PBS in the 1970s.
In the Cold Light of Day (11/94)
Rural electrification in the 1930s is the theme in this BBC TV Movie
when electric lights were still a novelty in most homes. Flashing back
from a present-day hospital, the story tells about a young boy who is fascinated
with the new technology and befriends a German man. But the boy's sister
is more interested in sex with the local boys, and his mother is hideously
anal about looking respectable in front of the neighbors at any cost. How
this plays out and its impact on current circumstances years later is the
main plot. Slow, but interesting.
In The Flesh (6/13)
Three
part BBC-3 drama series that is set after the zombie apocalypse. In
this world, the dead came back to life and began attacking the living,
but didn't infect others (despite much public misconception). The
government eventually came up with an antidote, rounded up all the
undead, "cured" them, and now is sending them back to their communities
to live again. Except, as you might imagine, not all the folks back
home (particularly in the small village where the series is set), are
in a mood to welcome back these former "rotters." Many survivors were
part of a militia called the HVF that kept the village safe when
government help was in short supply during the crisis. Problem number
two is the newly cured were all previously dead and buried. And now
here they are again, including teenage Kiernan Walker (get it?) who we
find out had committed suicide and must face his parents and HVF-member sister
and explain his actions. With so many movies and TV shows portraying
the end of the world, it's interesting to have one set afterwards and dealing with the messy results in a real human way.
In The Name of Love (5/00)
Two-part ITV thriller with Tara Fitzgerald (The
Student Prince) who runs into an old boyfriend and picks up where
they left off years earlier despite her being in a current relationship.
When she spurns him he takes to stalking her (aren't there restraining
orders in Britain?), even moving into an apartment across the way and bugging
her apartment. The stakes keep rising with fatal consequences.
Invasion: Earth (9/98)
Big-budget BBC science fiction thriller in six parts about (what else?)
an alien invasion of Earth (naturally beginning in Britain, traditional
home to invasions since Quatermas and
Doctor Who). An RAF
pilot shoots down an alien craft, although what emerges is a soldier from
World War II who has been the guest of friendly aliens (the "Ecos") with
a warning that nasty aliens are about to conquer the Earth. Indeed, several
humans are kidnapped by the "NDs" (so called, because they exist in an
extra "Nth" dimension) where horrible experiments are performed on them
before being returned. Much of the story takes place with the military
and its experts trying to assess the threat and come up with a solution,
which reminded me a bit of the old 70s series Doomwatch, about an
elite group trying to prevent the End Of The World each week. Fred Ward
is the token American, a NATO general who knows he's out of his depths,
but nevertheless tries to come up with a way to prevent a complete invasion.
Read
my feature article about the Invasion: Earth.
The Investigator (9/97)
Channel 4 docu-drama about witchhunts for lesbians in the British Army.
The lead woman in charge, we discover, is a lesbian herself, making the
whole proceedings rather ironic. When she's finally caught, flashbacks
reveal the entire story. In the end the real woman whose story this was
delivers a post-script to the audience, confirming our worst fears about
homophobia still in existence.
The Invisibles (11/09)
BBC
comedy drama about a daring 60s jewel heist gang now retired (more or
less) although their skills come in handy each week when trouble
lurks. Anthony Stewart Head and the great Warren Clarke
play the original members of the gang, and Dean Lennox Kelly teams up
as the son of a former partner. Often goofy (much of the humor is the
back and forth arguing of Head and Clarke, they are like an old married
couple) but it's slick and enjoyable.
In Your Dreams (3/98)
Oliver Milburn (Neverwhere) stars
in the anatomy of a rape, showing the events that lead up to it (and allowing
us to hear the participant's thoughts) but then cuts to the court case
and forces us to make up our minds about what actually happened based on
the "Rashomon"-like descriptions of the event by the participants. An intense
BBC TV Movie in their bitterly ironic "Love Bites" season.
Is It Bill Bailey? (7/98)
Stand-up comedian Bailey (last seen in the sci-fi quiz show Space
Cadets) does his own series of one-man shows on the BBC. There
are two sides to the series, one is pretty mediocre, the other brilliant.
The first bit is his stand-up in front of an audience, interspersed with
brief sketches. It's amusing seeing him wearing different outfits but there's
nothing to distinguish this material. However, the other part, where Bailey
shows off his musical abilities, is fantastic. Each week he uses a different
instrument and builds an entire routine around it. Armed with a synthesizer
he creates a passable version of the Doctor Who theme then proceeds
to send it up by demonstrating how it would be played today. Some of his
pastiches are near genius. Edited together, the musical highlights would
be well worth watching, but the show as a whole is a very mixed bag.
Is It Legal? (1/96)
This ITV sitcom stars Imelda Staunton and Jeremy Clyde as partners
in a disorganized law firm. The married middle-aged office manager has
a crush on a young delivery girl who barely knows he exists, the secretary
doesn't have two brain cells to rub together, and the junior partner is
clueless. Fairly standard stuff.
(3/99)
One of the great mysteries of our time is how such a brilliant writer
like Simon Nye (Men Behaving Badly) has
continued to churn out this pedestrian and frankly not-terribly-funny comedy
for three seasons now. Not even suitable by ITV’s low standards, Channel
4 has picked up the series but it’s still the same lame office comedy set
in a "wacky" legal firm.
Island At War (2/06)
Historical drama ITV mini-series about the German occupation of the
Channel Islands during World War II. Mostly populated by British
citizens, audiences could see what living under the Nazis might resemble.
A friend of mine who lives on Jersey said this: "It was not filmed on the
island to everyone's dismay. I think it was filmed on the Isle of Man;
a place as different to Jersey as the Amazon jungle is to Greenland."
He noted that while things weren't too bad for the British, the Russian
slave laborers brought over to build fortifications suffered nearly a 1000
casualties in the work camps on one of the islands. Most of the focus
of the series is the interpersonal (and often romantic) relationships between
the Germans and British, with the smooth but sinister Philip Glenister
playing the Baron commandant.
The IT Crowd (4/07)
Channel
4 workplace comedy by Graham Lineham (Father Ted) about the two sad
losers in the information technology department deep in the basement of
a large corporation whose sanctum is invaded when a non-technophile
woman is placed in charge of them. The company's loony CEO is played
by Christopher Morris who used to be quite scandalous on his own (The
Day Today) but I guess even he needs a regular job. Richard
Ayoade (Garth Marenghi's Dark Place) is particularly hilarious as the
clueless technology nerd who even uses e-mail to alert emergency
services when a fire breaks out.
It'll Be Alright On the Night (1/91)
The title is a reference to the theatrical term used when a screwup
occurs during rehersals. Essentially a blooper show, but the quiet mature
host is a great relief from Dick Clark, Bob Saget, etc.
It Shouldn't Happen To A Children's Presenter (3/01)
Amusing ITV documentary about the perils of being a children's TV host,
still an active vocation in Britain both the on the BBC and ITV.
Interspersed with classic clips and interviews with old hosts is a "Real
World"-like documentary search for the newest host to be cast, following
a number of auditioners through to the final announcement.
It's Kevin (6/13)
Kevin
Eldon finally gets his own BBC-2 sketch comedy series and he goes for
broke. A supporting comedian going back to Fist of Fun, Hyperdrive
and World of Pub, here in his own series he does it all from singing
the theme tune (which changes from week to week), to showing off all
the characters and situations he can play. He also is the host, in a
sparse set speaking directly to the camera between bits. Just the right
touch of surrealism, satire, and enough of a budget to allow Eldon to
exercise his clever comedic imagination.
It's Only TV But I Like It (1/00)
The BBC has basically recycled the TV trivia quiz game Telly Addicts
with celebrities this time, hosted by Jonathan Ross. Team captains (and
a stranger pairing you'd be hard-pressed to find) campy Julian Clary and
"hard man of comedy" Jack Dee lead two sets of minor celebrities in a collection
of clips, questions, and history about television. Perhaps the strangest
(and hardest) section is where senior citizens talk rather vaguely about
a particular series and the panelists have to guess which show they are
talking about.
It's Paul Burling (3/11)
Burling is an impressionist who was first discovered on Britain's Got Talent
and although he didn't win, ITV rewarded him with his own TV special to
showcase his talents. Armed with particularly good Harry Hill and
Simon Cowell impersonations, the sketches took good-natured aims at
television and managed to do material not previously mined to death by
either Kevin Bishop or Jon Culshaw in similar programs.
It's Ulrika (11/97)
Former Swedish weathergirl Ulrika Jonsson, now a foil for Vic and Bob
on Shooting Stars, gets her own special
(written by her mentors) that doesn't tax her talents too much in various
comedy sketches.
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