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Dates refer to when review was written
Da Ali G Show (11/01)
Sacha Baron Cohen created "the voice of youth," Ali G, a Tommy Hilfinger-wearing
semi-ethnic wannabe, originally for The 11 O'Clock
Show and was so successful that Channel Four spun him off on his
own comedy series. Ali's big claim to fame (at least until everyone
in Britain got wise to it) was to interview members of the Establishment
and make them look like fools with his moronic questions. It's amazing
how many fell for it (I guess they don't watch late night telly on Four)
although Ali has had to take his act on the road to America sometimes in
order to find unsuspecting victims for his comic assaults (an assistant
director for the FBI plays right into his hands with hilarious results).
Studio guests including Mohammed Al-Fayed (owner of Harrods and defender
of a notorious libel suit in Britain) turn up as well (presumably in on
the joke). To his credit, after appearing in a Madonna video, Baron-Cohen
has hung up his Ali G gear rather than beat a one-joke gimmick to death.
But who will represent "Britain's youth" now?
Dad (11/97)
Like Keeping Mum, this sitcom is about
adult children of parents who drive them mad, in this case Alan (Kevin
McNally) whose short fuse is continually lit by the well-meaning but maddening
George Cole. Not to mention Alan's teenage son who is already driving him
crazy and you wonder how Alan ever managed to make it to middle age in
one piece. Not brilliant, but Cole, as always, is impossible to hate.
Dalziel and Pascoe (11/96)
Three separate detective mysteries starring Warren
Clarke (Moving Story, Sleepers)
as annoying working class detective Dalziel (pronounced DEE-el) who along
with his new partner, the Oxford educated Pascoe, get involved in movie-length
cases each with its own milieu. The first, "A Clubbable Woman," is based
at the Rugby Association Dalziel is a member, and involves murder, a scandal,
and secrets. Pascoe is completely out of his depths here. But the shoe
is on the other foot in the second story, "An Advancement of Learning,"
set in Oxford and involving Pascoe's fiance, where a body is discovered
under a 20-year-old statue and more skeletons are uncloseted in the process.
The final story, "An Autumn Shroud," has Dalziel end up by accident at
the stately home of a recent widow where more mysterious activities rapidly
turn up. These co-productions with A&E allegedly showed here with extra
footage. In any event, they're worth checking out.
(7/98)
Two new feature-length mysteries based on the Reginald Hill books with
the double act of working-class Yorkshireman Dalziel (Warren Clarke) and
his partner, the Oxford educated Pascoe. In the first, "Under World," the
body of a coal miner gone missing for years and thought responsible for
a child-killing resurrects hidden secrets, as well as hidden passions for
Pascoe's wife Ellie. In "Child's Play," we learn some new things about
Detective Wield when a long-lost heir shows up setting off a family's scramble
for the estate.
(3/99)
In new feature-lengthed movies, "Bones and Silence" the odd-couple
team of midlands detectives get involved in case of adultery and murder,
while dour DI Dalziel (Warren Clarke) is drafted to play God for a play
by a visionary director (Josette Simon, looking like she just stepped off
the set of Blake’s 7 17 years ago!). In "The Wood Beyond" flashbacks
to Pascoe's grandfather in WWI are connected to a murder in contemporary
times.
Dancing On the Edge (3/13)
Stephen
Poliakoff wrote and directed this ambitious BBC mini-series set in
1930s London about the rise and fall of the Louis Lester Band, jazz
musicians who eventually play for the Prince of Wales. Chiwetel Ejiofor
stars as Louis, a British born bandleader who comes to the attention of
music magazine writer Stanley (Matthew Goode) who promotes the band and
eventually gets them an ongoing gig as permanent residents in the posh
Imperial Hotel. At first their jazz music is not well-received by the
establishment, but patrons (including Anthony Head and Jacqueline
Bisset) who are eager to experience the next new thing help them open
the right doors, meet the right people, and eventually even get on the
staid old BBC. But Poliakoff also examines the racism of the era,
though not as bad as America at the time, most of the characters
(admittedly upper class) treat Louis and his band as equals, at least
when everything is going well. But when the lead singer (Angel Coulby)
is discovered dead and Louis suspects the young protege of mysterious
American tycoon Masterson (John Goodman), things turn ugly and Louis
isn't sure who, if anyone, is still his ally. Louis sometimes is a bit
too paranoid for his own good, although based on his experiences, not
entirely unjustified.
The Dark Room (1/00)
Dervla Kirwan (Ballykissangel) stars
in this two-part BBC drama as an amnesiac accident victim who may have
committed a double murder. Her manipulative father (Paul Freeman, the villain
in "Raiders of the Lost Ark") tries to pull strings, but the police are
hot on the trail and she is the chief suspect. Will her memory return in
time to solve the mystery or is someone after her as well?
The Darling Buds of May (3/93)
Most of the urban young people I know in the UK hate this series because
it represents the past, a simpler time, and they see it having no bearing
on their current situation. Fair enough, but I quite enjoy it. The Larkin
family are practically the Waltons incarnate, and it is jolly good to see
people act nicely towards each other and have things turn out well. In
a way it is almost an anti-soap opera: warm family values instead of characters
forever doing dirt to each other as the tragedies pile on. Considering
the huge popularity of soap operas in the UK, it is refreshing to see a
drama take a much different approach - and be successful. Catherine Zeta-Jones
began her career playing David Jason's daughter in this series.
Dates (11/13)
Channel 4
series about a series of first dates that at first go spectacularly
wrong but then head off in an unexpected direction. It appears to be an
anthology series with a different set of characters each week, but then
old ones come back and we realize we're seeing one interconnected
universe. The cast included Ben Chaplin, Will Mellor, Andrew Scott,
Oona Chaplin, Greg McHugh, Gemma Chan and Sheridan Smith.
The Day Britain Stopped (3/04)
Chilling (and fortunately entirely fictional) documentary about a transportation
disaster that begins as a chain reaction on the M25 motorway and ends with
a mid-air collision between two jetliners over Heathrow. Done in riveting
BBC style with interviews, reenactments, and actual "footage" that recreates
the incident after the fact and looks for answers. The gist of the
writer's message is Britain's transportation system is an interlocking
mess and the conditions still exist for what he showed dramatically could
still occur in real life.
Daydream Believers (1/03)
A clever pilot from Channel 4's "Comedy Lab" about a suburban hack
sci-fi writer whose interactions with friends and neighbors become elements
of the space epic he is working on, dramatized in hilarious low-budget
glory using the same actors. Sadly this did not go to series but
I'm hoping that creators David Mitchell and Robert Webb are given another
shot with something equally amusing.
Day Return To Space (3/00)
To celebrate the 30th anniversary of the moon landing (and British
TV did a lot more coverage in July 1999 than I saw here in the US), Channel
4 made a fascinating documentary about new rocket concepts that might be
used in the next voyage to another world.
Days Like These (9/99)
ITV's remake of That 70s Show fails for so many reasons: for
one thing, the experiences of teenagers in a small town in Wisconsin do
not translate into Luton, England. Having a car is everything in Wisconsin
where the nearest civilization is literally hundreds of miles away. But
with London a mere train ride away from Luton, the teenage "car culture"
doesn't really need to develop. And Eric Foreman's parents are played all
wrong too. As Red in That 70s Show, Kurtwood Smith is the perfect
terrorizing father figure, not so much for what he'll do physically but
how he can cut you down to size just by calling you a "dumbass." But Trevor
Cooper (Star Cops) in the same part can't bring the same moral authority
(or call anybody a dumbass), which diminishes his impact. And Eric's mom
(rather than Donna's) is played as an airhead. Even though the scripts
are based on the American edition, this is like watching a road show version,
with a cast that's not quite ready for prime time yet. ITV lost millions
on this series and it was quickly pulled.
The Day Today (5/94)
A news parody that makes KYTV (see
separate listing) seem sedate. Anything goes here and FOX would do
well to imitate this series when their late-night news parody comes on
later this year. Tremendous production values and graphics, and delivered
completely with a straight face.
DCI Banks (11/11)
Stephen
Tomkinson (Ballykissangel), usually cast as a dim-bulb, gets to play
a hard man for a change, a Yorkshire police detective inspector solving
grisly two-part mysteries in this ITV1 series. Essentially the series
is Inspector Morse but set in the North, with a supporting cast of
detectives and Banks' interactions with the suspects and his team.
Based on the novels by Peter Robertson, the mysteries are nicely
adapted by a broadcaster that is well experienced in these sorts of crime
dramas.
Dead Boss
(10/12)
Sharon
Horgan co-wrote and stars in this series as Helen, a woman wrongly
accused of murdering her boss and sent to a women's prison run by a
wacky warden (Jennifer Saunders) in this BBC-3 comedy. The
premise
only sustains itself as long as the entire series is populated by dumb,
selfish characters. Don't attempt to apply logic or real-world
situations to anything that happens on screen. Told in a
serialized
format, in addition to prison life we see the machinations at Helen's
old company as her co-workers scramble for power, her easily
intimidated lawyer, and her sister who isn't especially bothered to
work on freeing Helen. A number of big name guest stars turn up
including Caroline Quentin and Miranda Richardson.
Dead Man Weds (4/07)
Johnny
Vegas stars in this ITV sitcom as a lazy journalist at a small town rag
who suddenly has to shape up when a new no-nonsense editor takes over.
Conveniently a legitimate scandal appears in the making with a large
American conglomerate up to no-good in town and our heroes hot on the
story. The title of the series comes from Vegas' best-ever headline.
Dead Ringers (3/03)
Celebrity impersonations are the feature of this sketch comedy series
that makes a leap from BBC radio. Most noteworthy is Jon Culshaw, a Tom Baker
lookalike dressed like Doctor Who in a furniture store making life hell
for unsuspecting salesmen (prank phone calls to celebrities as "The Doctor"
was his trademark on the radio).
Dead Set (3/10)
TV critic
Charlie Brooker devised this brilliant concept: What if zombies
attacked the Big Brother house? And we're off! We get a quick glimpse
of the behind-the-scenes personnel (including the fire-breathing
producer) before all hell breaks loose and we are given a proper zombie
movie with tons of gore, death and destruction. Eventually a few
survivors hole up inside the Big Brother house (including a plucky
production assistant), but the producer's eventual insistence on doing
things his way or the highway spells disaster in this novel E4
mini-series.
Death Comes To Pemberley (2/14)
So
do Elizabeth and Mr Darcy live happily ever after in Pemberley after
the events of Jane Austin's "Pride and Prejudice"? Not in P.D. James'
novel, or in this three-part BBC adaptation starring Anna Maxwell
Martin as Lizzy (now a mum), Matthew Rhys as Darcy, Rebecca Front as
Mrs Bennet and Jenna Coleman as airhead sister Lydia still married to
scuzzy Wickham (Matthew Goode). A murder is committed one night and
Wickham is the prime suspect. Darcy must help prove his innocence
because apparently having a murderer for a brother-in-law would be
social death. But it's up to plucky Elizabeth to save the day and
solve the murder before Wickham hangs.
Death In Paradise (11/11)
A
BBC-French TV co-production mystery drama set in Saint Marie, a
Caribbean island that conveniently has a locked-door murder each week.
Brought in to solve them is Detective Inspector Richard Poole (Ben
Miller) from the Met, which sets up a classic fish-out-of-water
interplay with the more laid-back members of the Saint Marie police
force. Miller seems a bit miscast as a crack detective who has no clue
about human relations, similar to his uptight character in Primeval.
But it's an opportunity to cast many well-known black actors including
Danny John-Jules, and with guest appearances by Patterson Joseph,
Lenora Crichlow, and Don Warrington. ITV have been doing this genre for
so long that you expect a particular style and when the BBC give it a
shot, something just seems a bit off. Maybe it's Miller's casting, or
the attempt to combine humor and murder, but for fans of whodunnits who
enjoy beautiful scenery, you could do a lot worse.
The Debt (5/04)
Warren Clarke plays a reformed safecracker
whose witless son-in-law (The Office's
Martin Freeman) involves him with a gangster and "one more job."
Of course it all goes south but what it fascinating is the movie mainly
told in flashbacks that give incredible background and detail to the main
characters, particularly the police detective so intent on busting Clarke
for the crime. Ironically, Clarke once played The
Locksmith on another BBC drama, so now you could say he's seen
both sides of the biz.
Dee Construction: The Simon Dee Story (7/04)
Simon Dee was to British 1960s talk shows what Johnny Carson was in
the U.S. Jumping from pirate Radio Caroline to the BBC, he
quickly got his own series and was arguably one of the most famous people
in Britain by the late 1960s (even appearing in the classic "The Italian
Job" opposite Michael Caine). And then, when the BBC refused to give
him a raise, he went over to David Frosts' rival London Weekend Television,
bombed (particularly after an on air incident involving George Lazenby)
and was off the air within a year, a pariah on TV for 33 years and a cautionary
tale of those who succeed too quickly. Or was he? In this documentary
presented by TV critic Victor Lewis-Smith, Dee's rise and fall is chronicled
in the context of its time, as well as letting him participate in a round
table discussion with various TV producers (including Rumpole creator
John Mortimer). Needless to say, 33 year in exile has left Dee a
little bit bitter, shall we say? and maybe a lot more paranoid (Lewis-Smith
can't resist playing some of the ranting phone messages left by Dee as
the show was being put together). Channel 4, which produced the show,
even lets Dee back on air for one night only doing his old chat show, although
the speed he goes through guests barely leaves any time for chat.
The Deep (10/10)
Remember
the James Cameron movie "The Abyss" from 21 years ago? If you liked
that, you'll like The Deep, an underwater BBC drama starring James
Nesbitt and Minnie Driver as scientists. Tobias Menzies (Rome's
Brutus) plays a mysterious military attache who takes charge to go on a
recovery mission near thermal vents deep under the ocean. But
Something Weird is going on. There are mysterious deaths,
international conspiracies, and two characters are having an
affair--something that comes a huge shock to rest of the crew but to
nobody who has ever seen a drama before. BBC Wales produced this
series which has pretty good special effects, although the inside of
the submarine seems far too spacious with oddly nondescript corridors.
Unlike the Cameron film the aliens are a no-show, but if you aren't
interested in seeing pretty good actors trapped underwater for six
episodes, maybe this isn't the series for you.
Degrees of Error (3/96)
First of two medical thrillers that ran this month. A female doctor
takes a job in a testing lab and becomes aware of a conspiracy to cover
up the possible side-effects of a popular drug. A fascinating, if fictional,
look at how far the pharmaceutical industry will go to cover their ass
when there is big money involved.
Delta Wave (11/96)
Children's SF adventure series (a kind of "Tomorrow People Lite") about
two gifted children with psychic powers and the female University professor
who takes care of them. A series of two-part adventures has the trio get
into all sorts of trouble while traveling around the country in a mobile
home. Juvenile but effective, with many familiar faces as guest stars:
Graham Crowden, Nickolas Grace, Una Stubbs and Mac MacDonald to name a
few.
Demob (5/94)
Griff Rhys-Jones and Martin Clunes star
in this 6-part drama about two comedians struggling after the War (to "demob"
is to be demobilized--discharged--from the Army in England). Touching and
surprising, you really care about these guys and hope they can manage some
kind of success. Dramatic and funny. Worth catching.
Demolition Day (11/04)
First we had Scrapheap Challenge
(aka "Junkyard Wars") where teams competed to build stuff, now they have
to create various items and then attempt to make them survive their opponent's
demolition efforts using heavy machinery. The best part of these
shows is the near the end as hydraulic hammers and caterpillar tractors
wreak havoc on carefully constructed buildings.
The Demon Headmaster (7/96)
Children's drama about a sinister school administrator who has hypnotized
his students into being obedient drones. When a gang of children thwart
him, he sets his sights on a larger target: the Prime Minister. The kids
get into so many dangerous stunts during each episode that a voice-over
during the credits continually advises viewers not to try this at home.
(1/97)
The Demon Headmaster returns to again threaten the world, this time
from a genetics research center, with only the kids from SPLAT able to
stop him in this BBC Children's series.
Dennis Potter--Terminal Cancer (7/94)
An interview conducted with the late television playwright (The
Singing Detective, Pennies From Heaven) only two months before
he died of liver and pancreatic cancer on June 7th. Conducted in a TV studio
by Melvyn Bragg, Potter is only able to keep going by drinking liquid morphine.
He talks about his career and his final two plays which have yet to be
produced: Karaoke and Cold
Lazarus. Even though optioned to two different channels, he hopes
they'll be shown consecutively. According to "Anglophile," a dispute between
producer Kenith Trodd and director Renny Rye is holding up production of
either. This fascinating look at one of the best writers ever in the medium
is supposedly going to be shown here in America.
Derek (6/12)
Ricky Gervais
starred in this one-off drama for Channel 4 (done in the usual style of
a docudrama where he can play to the camera) as a mentally-challenged
worker at an old folks home. Heeding the advice of Robert Downey Jr in
"Tropic Thunder," Gervais does not go "full retard" in his portrayal,
although I'd like to see him get away from the documentary format he
favors on TV.
Derren Brown (11/04)
Derren is sort of the Amazing Kreskin of the 21st Century, doing hypnosis,
mind-games, and various bits of deception on various members of the public
(and we at home). He obviously has studied human behavior quite a
bit, and knows someone pliable to suggestion when he sees them. The
result is an entertaining Channel 4 series full of "how did he do that"
moments, and tricks that rely on observation and people's habits.
Derren Brown: Apocalypse (12/12)
The
illusionist really pulls the wool over an unsuspecting slacker in this
two-part Channel 4 special by convincing him he's one of the few
survivors during a zombie apocalypse. But it's not to prank him or
make him look foolish, but rather inspiring him to develop skills
(leadership, bravery, empathy) that will prove useful once the
experiment is over.
Derren Brown: Fear & Faith (12/12)
In
this two-part Channel 4 documentary, Brown first manages to persuade a
huge group of people to overcome their phobias using a placebo and an
elaborate fake medical company set up complete with doctors and
scientists. Secondly, he finds a deliberately agnostic non-religious
woman and in just 15 minutes is able to have her believe she's having a
religious experience. He is the master of persuasion and fills the hour
with examples of how human being's attempts to find patterns in
randomness can lead to some thinking there's a divine hand involved.
Skeptics should find much to rejoice here as usual.
Derren Brown: The Great Art Robbery (2/14)
Illusionist
Brown had a pretty good year, getting a shout-out in "Day of the
Doctor" and a cameo in Sherlock, and in this Channel 4 special he
informs millionaire collector Ivan Massow exactly which painting of his
he's going to steal at an exhibition, as well as the exact day and
time. And then we see Brown do it, all under the watchful eyes of
guards and security cameras.
Derren Brown: Hero At 30,000 Feet (10/10)
Brown
broadcast live from an airplane hanger as he told us we were about to
watch Matt, a young man, through a journey from bystander to
take-charge hero in 30 days without really knowing he was the subject
of the show. The way his introductions were staged, it appeared like
events would be happening in real time, although if you thought about
it afterwards, you'd realize that the events, including the climax must
have been done several days earlier. Matt first is subjected to a fake
hold-up at a gas station where actors hold a gun on him and threaten
him. Hidden cameras follow his progress as we see his behavior begin to
change. He breaks into a policeman's house after finding his wallet,
but he also gives a life-changing talk to an actor playing a
disgruntled delivery driver. He meets Derren for the first time but
thinks he's just being considered for a game show he might be doing and
ties Matt up in a straitjacket and leaves him on a railroad with an
oncoming train approaching. Finally, fear-of-flying Matt is told he
has to fly to Jersey to participate on the program, and in a plane full
of actors, an emergency is staged and we find out whether Matt will
stand up to help land the airplane. A lot of people like to call BS on
all of Derren Brown's stunts, but either you believe what he says he's
doing on screen or not. It certainly seems plausible that someone
could be nudged ever so slightly to change their core behavior,
particularly with the entire resources of a TV production company
behind it. I think the suspense in these is really more about whether
Brown will fail on nationwide TV rather than about whomever the subject
of his program might be.
Desperate Romantics (3/10)
A
romp through 19th Century art history and the loosely-adapted story of
the Pre-Raphaelite Brotherhood, the angry young men who were shaking up
the British art scene in the 1850s including Dante Gabriel Rossetti
(Aiden Turner from Being Human), William Holman Hunt (Rafe Spall,
Timothy's son), and John Everett Millais (Samuel Barnett). Based on
the book by Franny Moyle, adapted by Peter Bowker, this is no stuffy
BBC costume drama but a high-energy mix of sex, adultery, nudity and
dirty language with a little art appreciation thrown in. If you liked
Russell T. Davies version of Casanova, this series is very much in
that vein.
The Detectives (3/93)
An expanded version of sketches which originally appeared on Jasper
Carrott's variety, Carrott Confidential.
Along with Robert Powell ("Jesus of Nazareth"), this spoof of cops shows
works best when specificially parodying certain name brand series in the
UK (including Bergerac with an appearance by John Nettles himself).
On their own though, these two just aren't that funny, and the 25 minute
episodes seem padded. Directed by Ed Nye who did early seasons of Red
Dwarf.
(5/94)
Another series about the Met's worst coppers as played by comedian
Jasper Carrott and Robert Powell. It would be much improved if they got
rid of the awful laugh track.
(7/95)
Briggs and Louis (Robert Powell & Jasper Carrott) return in another
series as bumbling coppers. Guest appearances this season include Michael
Troughton as an aristocratic smuggler whom the detectives mistake for a
flasher, and Richard O'Brien ("The Rocky Horror Picture Show") as "Dr.
Phibes," a bizarre police coroner who assists our heroes on a case.
(11/96)
Returning for a fourth series, the Met's most incompetent coppers,
Briggs and Louie, manage to botch their way through another six cases.
The highlight for me was while trying to climb some stairs while hiding
in a vaulting horse Briggs observes, "This is what buggered the Daleks
you know."
(3/98)
The comedy series is wrapped up in this Christmas special that sends
the boys (Jasper Carrott & Robert Powell) to Canada in search of their
AWOL boss (George Sewell). Filmed on location with guest appearances by
John Ratzenberger and Rory McGrath. The finale would seem to suggest this
is the end, but with BBC comedies, who knows?
Detectorists (12/14)
Low-key
but charming BBC4 comedy (one of the last original programs for that
channel) written, starring and directed by Mackenzie Crook (The
Office) as Andy, a sweet but unambitious metal "detectorist" (they are
very particular about that word) who is usually found in a field with
his best mate Lance (Toby Jones) slowly probing for lost artifacts. Amazingly, Andy has a girlfriend
(Rachel Stirling) but maybe not for long when cute perky Sophie
(Aimee-Ffion Edwards) turns up to help assist the boys in their search
of a farmer's field that might yet yield treasures. Full of eccentric
characters (particularly the farmer and his imaginary dogs), maybe most
people won't get it, but I really dug it (no pun intended).
The Devil's Whore (10/10)
A
Channel 4 period costume drama (words I'm pretty certain I haven't
written together often on this site) dramatizing the English Civil War
from the point of a view of a woman (the subtitle is "A true account of
the life and times of Angelica Fanshawe"). Angelica is orphaned early
on when her father dies and her mother goes into a nunnery. She
renounces God and begins to see visions of Satan (or some demon). This
leads her to a certain amount of self-reliance somewhat like Scarlett
O'Hara in "Gone With The Wind." And like Scarlet, Angelica has a
number of husbands, each of whom fall afoul of the winds of war. John
Simm plays a highwayman and her most loyal follower (and would-be
lover), while Dominic West is a very sympathetic Oliver Cromwell, at
least until power and a determination that the end justifies the means
corrupts him. Peter Capaldi is the doomed Charles II, who never quite
comes to the realization that his subject would dare rebel against
him.
The Diary of Anne Frank (11/09)
The
BBC dramatizes the famous tale in this five episode mini-series that
was shot on sets that were exacting recreations of the original
building. The series' length allows it to explore story moments that are
frequently edited out of most movie versions. It was shown over consecutive
nights and allowed the claustrophobia to build up until the tragic
conclusion.
Dickens' Secret Lover (7/09)
Charles Dance presents this intriguing look at Charles Dickens and presents some plausible evidence about his affair.
Dick Whittington (1/03)
ITV's annual celebrity Christmas panto this year had Simon Nye (Men
Behaving Badly) adapting the story of a young lad who, along with
his cat (Julian Clary), eventually becomes mayor of London. Music,
men in drag, bad jokes, and audience participation are all part of the
fun which included Paul Merton, Richard Wilson, Mark Williams, James Fleet,
and Harry Hill.
Dinnerladies (5/99)
Victoria Wood is a household name and institution in Britain, yet is
virtually unknown in the US. More's the pity because she is extremely talented,
both as a writer and performer (and singer), and you can never get enough
of her. In this BBC series, her first sitcom which she also writes and
stars in, the focus is on the women who work in a cafeteria of a large
Manchester company. Everyone is a "character" but like in all of Wood's
work, there is poignancy in the laughs, especially when her mad mother
(played by frequent collaborator Julie Walters) occasionally drops in.
A nice little workplace comedy, although if it were as easy as it looks,
everyone could do it. Read my feature about
Victoria Wood.
Director's Commentary (11/04)
It's amazing that in 10 years DVDs have gone from being some futuristic
technology my friend Jim used to talk about (before he got rich writing
about them), to being so ubiquitous that nearly everyone has heard a director's
audio commentary on the DVD soundtrack. So much so that it's now
ripe for parodying and Rob Brydon (Marion and
Geoff) is the man to do it. Actually getting the rights to
old series such as Bonanza and Duchess of Duke Street, Brydon
plays an old duffer British director who supposedly worked on the shows
and now years later has been commissioned to comment upon the action.
At first, you don't realize it's a wind-up but as he goes on about Hoss,
Little Joe, and Ben Cartwright, slowly it begins to dawn that he's speaking
utter (but hilarious) rubbish. And the fact it is so close to actual
commentaries now being foisted on the unsuspecting public by well-meaning
but boring speakers, just makes it all that much funnier.
Dirk Gently (3/11)
The popular series of novels by Douglas Adams was adapted as a TV pilot by Howard Overman, the creator and writer of Misfits.
Stephen Mangan plays the "holistic detective" who sees the
interconnectedness of all things. Or maybe he's just a conman who
wants people to support his activities. The novel "Dirk Gently's
Holistic Detective Agency" is rather infamous in Doctor Who
fan circles because Adams, who wrote and script edited for the series
in the late 1970s before "The Hitchhikers Guide to the Galaxy" took
off, recycled two of his Doctor Who
plots for it. It's Adams' flair for comedy that make his work so
memorable regardless of the plots, which are convoluted to say the
least. But Overman created his own story for this BBC4 pilot which has
resulted in a pushback by fans of the novels. He also altered the back
story of what presumably would be two supporting characters if this
went to series, Richard McDuff (Darren Boyd), and his girlfriend Susan
(Helen Baxendale). I like the way Gently and McDuff always try to go
through doors at exactly the same time. The only elements from the
first book used in the pilot are the search for a missing cat and the
use of time travel. Howard Overman is clearly a talented writer. You
only have to watch any episode of Misfits
to appreciate his use of dialog and engaging plots. Had he done a
verbatim adaption of the first novel, it would have been three hours
long to start with, and after they did the sequel "The Long Dark Tea
Time of the Soul" they'd have run out original Adams material as he
inconveniently died before finishing the third novel. It wouldn't be
much of a TV series. Stephen Mangan is an interesting choice as the
protagonist. There's always something annoying about his characters
whether it's Adrian Mole or Dr. Guy Secretan in Green Wing.
He seems to delight in playing people who at first glance are
off-putting in their ways but ultimately charm you over. I had one
gripe though and that is an iPhone would never hold its charge for 16
years. Heck, you're lucky they last 16 hours. Sorry, Howard.
Dirty Something (7/94)
Young squatters occupy an old man's flat after he dies and end up nearly
becoming respectable members of society. A BBC TV movie, it neatly characterizes
the feelings of anti-establishmentism and trying to put a roof over your
head in modern London.
Dirty Tricks (11/01)
Martin Clunes (Men
Behaving Badly) stars in this two-part ITV adaption of a novel
about a middle-brow English language teacher who tries to move up the ladder
of social respectability by romancing the wife of a friend of his boss.
Clunes narrates the story in flashback and with tongue-in-cheek tells us
the tale of how he ended up on the run from the police and accused of a
double-murder. James Bolam turns up in part two as a detective who
isn't exactly hot on his trail, while Lindsay Duncan plays a cool blonde
he can't quite impress. Much of the subtext has to do with class
distinctions, with a dash of the American perspective, but Clunes keeps
the whole enterprise from getting too heavy.
Distant Shores (4/07)
Peter Davison as a former surgeon (wasn't this the plot of Doc Martin as well?), with yet another family moving to a remote island (see Two Thousand Acres of Sky)
this time Hildesay Island. His kids hate it, but his wife starts to
see the charm of a local fisherman she works with. Davison as usual
gets to do his slow burn as the ultimate fish-out-of-water in this ITV
drama series.
Distraction (7/04)
An evil and sadistic late night Channel 4 quiz show, nevertheless it's
compulsive viewing. Four hapless contestants are tortured through
four rounds (at times having electric shocks, being hit by paint balls,
or sitting under pooing pigeons) while being asked fairly easy general
knowledge questions. The winner then is given either a new car or
5000 pounds but then must answer five final questions or risk having the
car systematically destroyed or the money burned. Hosted by Jimmy
Carr who never quits making fun of the contestants, you feel dirty after
watching each episode but human nature prevents you from looking away at
the same time.
DOA (12/10)
Kris Marshall (My Family) plays Tom Lassiter, a surgeon who's lost his medical license because a
patient died. Now he's a paramedic working for a surreal ambulance
company in this BBC3 comedy pilot. Karen Taylor plays Julie, his
co-worker who also sells marital aids when they aren't out on calls.
Meanwhile Tom's Doctor girlfriend Lucy takes his loss of status, and
possible impending legal problems, to reconsider their relationship.
All in all, things aren't going too well. This certainly isn't the
first comedy to try to mine laughs from ambulance drivers, and if Tom's
choice in lawyers is any sign, perhaps many of the choices that have
lead him to this point are his fault. Julie's ongoing battles with
their dispatcher over the radio, and the other ambulance crews absurd
down-time activities add to the craziness. British TV commissioners
are forever searching for the magic bullet work place comedy that will
be as successful as The Office was.
Doc Martin (2/06)
Martin Clunes is a posh London surgeon
who for reasons we later learn, moves to a small Cornish town to be the
local general physician. Of course in this fish-out-of-water ITV
drama he has to get used to the local's unusual ways, and perhaps relax
a bit instead of being so uptight. Some of the behavior of the villagers
is annoying but Clunes' barely controlled rage is what makes it work without
too much schmaltz.
Dr Terrible's House of Horrible (11/02)
Steve Coogan stars in this anthology
comedy series parodying classic genres with such titles as "Lesbian Vampire
Lovers of Lust" and "Frenzy of Tongs" (a Fu Manchu send-up). You have to
buy into Coogan's odd brand of deadpan humor as well as recognizing the
source material of what he lampoons but I think the combination works well
enough. It's definitely BBC-2 material, but since the demise of the
Comic Strip, nobody else is doing extended material like this on a regular
basis.
Doctor Thorne (9/16)
At the exact same time as he was appearing as the creepy sidekick in The Night Manager,
over on ITV Tom Hollander played the nice-as-pie title character in
this adaptation of the Anthony Trollope novel by Julian Fellowes.
Thorne is raising his "niece" who attracts the attention of the heir of
the local estate--much to the horror of his status-conscious parents
(Rebecca Front is hilarious as his mum). Can Thorne put all to rights
by the end?
Doctor Who Night (9/00)
BBC-2 Theme Nights are great for fans, although they follow a very
prescribed ritual: amusing host segments, the obligatory documentary, a
look at the fans, and plenty of clips from the most popular episodes.
Whether it's Goodness Gracious Me,
Monty
Python or Doctor Who, that are being celebrated, the formula
never varies. That said, for the 36th anniversary last year, Tom
Baker was trotted out to introduce the shows, and they even provided him
with an elaborate CGI TARDIS to inhabit. Big-name fan Mark Gatiss
(now best known for The League of Gentlemen)
was enlisted to produce three sketches especially for the night and they
are right on the money and classic: the first takes place in 1963 as a
producer attempts to pitch the series to the BBC. Full of hilarious
in-jokes including the origin of the theme tune, you almost have to wonder
if it really happened this way. The second sketch takes place in
a quarry with the Doctor (Gatiss) encountering some of the most crap aliens
ever, although he tries to be polite to get rid of them. Finally,
the night was capped with a sketch in a fan's bedroom as his best friend
has just kidnapped the real Peter Davison and brings him in for inspection.
The documentaries included "Adventures In Time and Space" narrated by Peter
Jones (of The Hitchhiker's Guide To The Galaxy) just before he passed
away. There is a look at the various Doctor Who monsters over
the years, and even a scientist discussing how you could realistically
build a working TARDIS. Now if only the BBC would actually make some
new episodes for television!
Does China Exist? (1/98)
Paul Merton hosts this one-off spoof
of "reality" shows showcasing various human "talents" and attempting to
unravel terrestrial mysteries (such as posed by the title). Merton is perfect
for this sort of thing, with his patented ironic detachment "amazed" at
every new discovery.
Does Doug Know? (3/03)
Daisy Donovan hosts this Channel 4 comedy quiz show that features teams
of two comics who are then "joined" by a member of the public via prerecorded
interviews on the street by Donovan herself (a technique she honed during
The
11 O'Clock Show). Some of the quizzes like a word association
game with missing words are really tough, or trying to guess a current
news events based on amateur interpretation are a definitely novelty.
Doggin' Around (3/95)
BBC TV-movie by jazz-fanatic Alan Plater about an aging American piano
man (Elliott Gould) who returns to the mid-lands of England after 10 years
and must confront his past of gambling debts, police inquiries, and a paternity
suit. Minding him is a no-nonsense former singer (Geraldine James). This
is good material that is completely ruined by Elliott Gould's inability
to act. In a word, he is terrible. Every line comes out like he's doing
a Neil Simon comedy on Broadway. It may well be the worst performance I've
ever seen in a BBC drama. Shame on him!
Doing Rude Things (11/96)
Angus Deayton (Have I Got News For You)
hosts this documentary look at the history of the British sex film. It
explores (and shows) early underground efforts, including "naturist" films
that featured nudist colonies, and later soft-core films that were permitted
under British censorship laws. Deayton sends up the whole "before they
were famous" genre with a factitious clip of himself as "Gus Deayton" supposedly
appearing in an early 1970s sex film, I guess proving that no one was particularly
ashamed by what was going on at the time.
Dominion (11/01)
A series of animated shorts on Channel 4 about a space station that
is the last stop for creatures from around the galaxy including a hapless
human (voice of Tim McInnerny) who is forced to work in an office he can
never escape from with a bunch of aliens (including Hugh Laurie).
Dom Jolly and the Black Island (3/11)
The comedian (Trigger Happy TV)
presented this Channel 4 documentary about the popular comic character
"Tintin." So well researched were Herge's artwork that Jolly is able to
find the actual locations the drawing were based on as he shares his
love for the long-running adventure series.
Donovan Quick (3/01)
Hunky Colin Firth (aka "Mr Darcy") stars in this update of Don Quixote
as a mysterious stranger who comes to a small Scottish town and does battle
with the corporation that runs the local bus service. He encourages
the family he boards with to start their own line and manages to outwit
the evil corporate stooges for a while before his own tragic past is revealed
in this BBC TV movie. Firth, with his baritone voice, is a dominating
presence, and apparently this part was a welcome break from the period
roles he is often cast in.
Don't Call Us (9/99)
Documentary look back at the era of TV talent shows, for years dominated
by Opportunity Knocks, hosted by Canadian Hughie Green. Audience
write-in polls would determine who returned the following week, and a number
of careers were first launched on this series, many of whom are interviewed
here. Usurpers, in the form of New Faces - which introduced judges
in person giving their critiques (horribly, right in front of the contestants),
and the gimmicky Stars In Their Eyes, eventually killed the golden
goose and the whole "amateur hour" variety show concept.
Doors Open (3/13)
Stephen
Fry plays an art historian who has curated a vast collection owned by a
bank that needs to liquidate. Horrified, he organizes a gang of
friends to substitute fakes for the originals before the collection is
broken up in this light-hearted ITV TV movie. Many familiar TV faces
fill the cast including Douglas Henshall and Lenora Crichlow as former
lovers.
Double Exposure (1/97)
A series of one-hour dramas by new writers presents some interesting
and varied material. In Out of the Deep Pan, a young couple try
to make a go of it in the pizza delivery business. The Golden Collar
stars Mark McGann (Paul's brother) as a crooked injury lawyer who meets
his match in a young man. A Relative Stranger takes the fascinating
premise of what if you went to sleep one night in 1971 as a rebellious
young hippie, then woke up and it was suddenly 25 years later and you were
a successful, but boring, yuppie - but couldn't remember the intervening
years had ever happened? A man discovers he is now married (only not to
the girl he was passionately in love with in the past), with two nearly
grown children, and a sell-out job he hates. Of course from everyone else's
point of view, he's merely amnesic, or crazy, but he tries to find out
what caused him to take the paths in life he now finds himself on. Nightlife
features Jane Horrocks as a woman who hasn't left her apartment in months,
choosing instead to keep surveillance on the park just across the street.
When she witnesses a crime she has to do something she hasn't in ages:
get involved.
Double Take (3/04)
BBC comedy series that presents mock surveillance footage using celebrity
doubles and voice overs with lots of shaky camera work through windows
and bushes. More a triumph of style over content, and a segment with
"Michael Jackson" visiting a plastic surgeon with his kids just plain creeped
me out.
Double Time (1/09)
James
Dreyfus plays two parts in this TV movie: a very camp (and not very
good) actor, and his lookalike, a ganglord currently serving time in
prison. Their paths cross when the actor is hired for a TV
re-enactment and the gangster, watching in prison, uses their amazing
similarity in order to temporarily swap places so he can stop a book
written about him by a sneaky journalist. How much you enjoy this
depends on the amount of Dreyfus's swishing around attempting to be
"hard" in prison act you can handle, although to be fair, he plays the
gangster very convincingly.
Downton Abbey (10/10)
ITV
scored huge ratings for this seven part period
drama that was written by Julian Fellowes ("Gosford Park," which he won
an Oscar for). Fans of it or Upstairs Downstairs should love this
new series set in an Edwardian manor house which chronicles the lives
of both the servants and the members of the peerage who live there. It
opens the day after the Titanic sunk in 1912, which immediately impacts
the line of succession for the Earl of Grantham (Hugh Bonneville) and
his family. With no male heirs, the estate and title might be lost if
the Earl dies. Meanwhile, a new valet, John Bates (Brendan Coyle,
Laura's father from Lark Rise to Candleford) comes to work at Downton
Abbey. But Bates has a bad leg, and despite being the Earl's batsman
during the Boer War, the other staff undermine Bates at every turn. An
ambitious footman, Thomas, wants the job although he'll settle for
being the very special close friend (nudge nudge, wink wink, say no
more) to a visiting Duke. Elizabeth McGovern plays Lady Grantham, an
American heiress the Earl married for her money 24 years ago despite
the misgivings of his mother, impeccably played by Maggie Smith. I
like seeing an old-fashioned period drama like this turn up on ITV.
Back in the 1980s Brideshead Revisited and The Jewel in the Crown
reigned supreme on the commercial network but they ceded the dramatic
high ground to the BBC in recent years except for Agatha Christie
mysteries. In fact, I wouldn't be surprised that it wasn't so much
competition from the BBC as American co-production money that is the
tail wagging the dog here. PBS's "Masterpiece" is a co-producer of Downton Abbey which no doubt eased the worries of ITV executives
about such a project.
Down To Earth (11/01)
Warren Clarke (Dalziel
and Pascoe) stars as a London flower seller who chucks it all in
and moves his family to Devon and start a farm. Needless to say,
things don't go quite to plan in this BBC drama series which also stars
Pauline Quirk. Despite the title, there is a visual motif that is
quite aerial and it seems we are gracefully flying over the characters
at times. Clarke is full of fury most of the time, and things usually
get pretty grim about 10 minutes before the end of each episode before
a happy conclusion is reached.
Downwardly Mobile (1/95)
Sit-com about an 80s Yuppie couple whose 90s lifestyle crashes-and-burns
forcing them to move in with relatives. Needless to say, the family doesn't
share their attitudes about conspicuous consumption, wherein lies the laughs.
Josie Lawrence (Whose Line Is It Anyway) plays the pampered wife
forced to face economic reality.
Dracula (4/08)
Marc
Warren (Hustle) wouldn't be my first choice to play the legendary
vampire, but he pulls it off in this BBC adaptation that also features
Sophia Myles (ironically appearing in the vampire drama "Moonlight" in
America now).
Dressing For Breakfast (5/96)
A plain girl and her best friend try to survive the nineties while
trying to maintain relationships. But poor Louise, when her mother isn't
driving her nuts, can't find a boyfriend who isn't a complete flake or
already married. The second episode ends with a great scene where the women
decide, "All men are Daleks. Inside they have this little creature controlling
everything they do." You have to love a series like this.
(7/98)
The third season finds the series moving upmarket with a nice, new
apartment for Louise and a potential boyfriend in the form of an old friend
of Carla's. But it's hardly smooth sailing for anyone, although the
self-deprecating jokes by all the characters make this an enjoyable series
to watch.
The Driven Man (1/91)
A funny but insightful documentary documentary by Rowan Atkinson about
people's love affair with the automobile. While there are weak moments,
it does make some excellent points about the car culture of the late 20th
century.
The Driver (12/14)
Transatlantic
star David Morrissey plays a working class minicab driver with money
problems who gets roped in with a mobster (Colm Meaney--where's he
been?) as his driver and finds his conscience (not to mention his
freedom) severely tested as he inevitably gets in way over his head in
this three-part BBC drama. Morrissey, as ever, delivers the good,
nobody plays anguish better than him.
Drop Dead Gorgeous (10/08)
Serialized
BBC drama about two sisters, one of whom is plucked from obscurity in
working class Manchester, and becomes an overnight sensation as a
supermodel. Needless to say, the other one is a bit jealous, and their
mother sees this as the family's chance to do some social climbing.
Remarkable, in the first season at least, the model modestly keeps her
head on her shoulders and some perspective about being suddenly famous,
even if while all around her the world is moving much too quickly.
Duck Patrol (1/99)
Richard Wilson (One Foot In the Grave)
stars in this ITV riverside comedy/drama about a police unit working the
Thames. Though the actors try hard, it's neither very funny nor very dramatic.
Dunrulin' (8/91)
A one-off comedy set a few years in the future, where the Thatcher
household has had to respond to private life. Very funny and right on the
money. Apparently this had been filmed and was sitting on the shelf waiting
for her to leave office before running.
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