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Dates refer to when review was written
The Vanishing Man (9/97)
Neil Morrissey (Men Behaving Badly)
stars in this ITV pilot that updates The Invisible Man to the 1990s.
Wrongly convicted of smuggling plutonium, Morrissey becomes the guinea
pig of an unscrupulous scientist (Barbara Flynn) with the end result he
becomes invisible when wet. The effects are state-of-the-art, including
a souped up invisible motorcycle he acquires while trying to clear his
name and defeat the baddies. A series is coming.
Velvet Soup (3/02)
Mid-summer BBC Scottish sketch comedy featuring a four person comedy
troupe (three men, one woman natch) that is fairly diverting with some
good gags.
Verdict (1/99)
Courtroom drama series that lays out the arguments of a case and then
has the jury decide. The episode I saw had Peter Davison as a mild-mannered
school administrator accused of date rape. The story was compelling but
as a piece of television drama it was pure radio.
A Very Open Prison (9/96)
BBC TV-movie comedy by the writers of Drop the Dead Donkey set
in the near future where the prisons have been privatized by cost-conscious
corporations. Tom Wilkinson (The Full Monty) plays a visiting Home
Secretary with Downing Street ambitions who sets off a chain of events
that culminates in escaped prisoners (including Stephen Tompkinson (Ballykissangel)
as a believable psycho) holding a home for orphans hostage. Expert comic
timing and well-paced for 90 minutes (my favorite gag: Wilkinson asking
a police constable why he can't "confiscate the identity cards" of some
journalists. "Their what?" the PC replies. "Oops, thinking ahead of myself,"
the Home Secretary mutters). A sequel continues the tale of Wilkinson's
ambitious minister in Crossing The Floor.
A Very Peculiar Practice (3/91)
Andrew Davies (Game On, House
of Cards) weird 1986-7 series about the doctors serving at Lowlands
University. Peter Davison plays the recently divorced Stephen Dakar, who
tries to cope with his dysfunctional co-workers (including David Troughton,
Graham Crowden, and Barbara Flynn) while having a lovelife. There are some
brilliant moments throughout, with the first season centered mainly on
Dakar's battles with the vice chancellor Ernest Hemingway ("the poisoned
dwarf," Crowden's character describes him). The second season had the university
taken over by Americans (led by "Jack Daniels") who have ulterior motives.
Vexed (10/10)
This BBC
comedy/drama stars Lucy Punch and Toby Stephens as police detective
inspectors who have just become partners. As I watched it kept
reminding me of something I'd seen before. I finally realized it was
"Moonlighting." Jack Armstrong (Toby Stephens) has that same arrested
development 13-year-old boy in a man's body that Bruce Willis captured
so well as David Addison back in the late 1980s. It's hard to believe
anyone that immature could ever rise to the level of a detective
inspector, much less focus long enough to actually solve a crime. But
this is TV so here he is. His serious partner, Kate Bishop (Lucy
Punch), has just relocated along with her husband and before the
credits have rolled, Jack has convinced her to rent a flat where a dead
body is still bleeding on the carpet. He also shows her his favorite
watering hole, a wine bar and restaurant run by a former policeman who
often serves you a meal before you've even ordered. And much like
"Moonlighting" the villain is revealed with fewer clues than in an
episode of Scooby-Doo. But the heart of the series is the
chalk-and-cheese relationship between Jack and Kate, although as the
show begins, they are on different trajectories, with Kate being
married and Jack attempting to woo a woman using marketing information
he's secretly harvested during an investigation. I'm not quite sure
what the title is meant to refer to. Who is being vexed here? Kate?
Jack? The audience? At least the series wasn't called something as
obvious as "Armstrong and Bishop," although most likely because it
might have sounded too much like a sketch comedy double act.
The Vicar of Dibley (5/95)
Somewhat based on fact, this Richard Curtis (Four Weddings and a
Funeral, Blackadder) co-written sitcom stars Dawn French as
a female Vicar assigned to a small country village. Of course the town
is full of amusing eccentrics, but "Vicar Geraldine" always manages to
come out ahead in the end.
Vicious (6/13)
I have given
ITV a lot of stick over the years (and rightfully so) for their
inability to produce a decent sitcom. But they've finally struck gold
in this farce starring Derek Jacobi and Ian McKellen as an elderly gay
couple whose love/hate relationship is hilarious. Written by Gary
Janetti, each week we get the misadventures of Stuart and Freddie,
along with their best friend Violet (Frances de la Tour) and their
upstairs neighbor Ash (Iwan Rheon, Misfits, "Game of Thrones").
Jacobi and McKellen hurl insults at each other with deadly precision
while taking care of their motionless dog. Freddie is a former actor
(being on Doctor Who once is his big claim to fame, although he
manages to get a bit part on Downton Abbey in one episode), whereas
Stuart has never come out to his mother, she just thinks Freddie is his
roommate and inquires unseen over the phone when he'll be moving out to
get married. It's not the best material ever written, but these two
pros give it all they've got. When is the last time two knights starred
in a sitcom?
Vicious Circle (9/99)
Writer Kieran Prendiville (Ballykissangel)
takes a much harsher look at Irish life in this BBC TV movie about an ambitious
but violent thief (Ken Stott) and the enemies he makes while scoring huge
hauls with his gang. While claiming not to "be political," that's impossible
in Dublin, and eventually the IRA want their cut which he refuses. He is
eventually undone by heisting a priceless art collection although he never
sees it coming.
Victoria (9/16)
ITV & PBS's answer to Downton Abbey
is this lush production about the life of Queen Victoria. Jenna
Coleman is more than up for the role (I expect BAFTA and Emmy
nominations next year), beginning with the day she becomes Queen at the
age of 18. Her mother and her creepy advisor want to form a
regency so they can rule, but Victoria is willful enough to avoid their
machinations. Instead, she relies on the Prime Minister, the
widower Lord Melbourne (Rufus Sewell, still dreamy after all these
years), but he is too duty-bound to entertain getting into a
relationship with her. Based on the pacing of the first few episodes, I
expect the producers hope this series will run a long, long time and
will take their time aging Coleman over Victoria's 82 year reign over
several seasons.
Victoria's Empire (10/08)
Victoria
Woods travels the globe to places named after the 19th Century monarch
(and her namesake) and looks at how the empire was formed and what
impacts it had across the globe to those it ruled over.
Victoria Wood's Nice Cup of Tea (6/13)
Two-part
BBC documentary, exquisitely shot all over the globe, with the charming
comedienne presenting a history of how tea shaped the British empire
and world politics, particularly in the 19th Century.
Victoria Wood's Sketch Show Story (11/02)
Two part documentary look by the famous (though Wood
is utterly unknown in America) comedienne at the origins of classic sketch
comedy with interviews by the comics who made them famous. The best
is at the last when she and her usual suspects (including Julie Walters)
resurrect one of Wood's best-loved sketches, "Acorn Acres," a hilarious
parody of the crappy old soap Crossroads.
Victoria Wood: Sold Out (1/96)
Victoria Wood is one of the many extremely talented Brits (like Lenny
Henry and Angus Deayton) who is utterly unknown in this country. And that's
too bad, as Wood is an accomplished stand-up comedian, actress, writer,
and singer. She does it all in this performance taped in a Plymouth theater.
Someone to keep your eyes peeled for if her material ever makes it over
the pond here.
The Village (6/13)
Ambitious
BBC drama series by Peter Moffat (Silk) where Bert Middleton, the
oldest man in Britain, tells the story of his life in flashback growing
up in a small village. The first season is set during the 1910s, when
Bert was a young boy living in terror of John, his hard-drinking
unsuccessful farmer father (John Simm). Bert's older brother Joe is
the apple of his mother's (Maxine Peake) eye, but he and dad don't see
eye-to-eye. Joe has forsaken the farm to work in the house of the
local gentry where he has caught the eye of their daughter. But WWI
breaks out and Joe is off to war. Meanwhile John discovers religion
under the tutelage of the reverend's daughter and gives up drinking to
proselytize. And Joe's girlfriend? She ends up pregnant, is forced to
give up the baby, nearly goes insane, and is put in the hands of a
creepy all-controlling doctor. Joe returns from leave, but suffering
from shell shock, tries to desert and is hauled away. The plan is to
advance the story throughout the century with each season, seeing a
tiny part of England through Bert's eyes.
The Visit (7/09)
Dry,
observational BBC comedy shot single-camera style that each week
focuses on visiting hour at a prison. Each prisoner has his own
subplot going on, plus interaction with the guards. And nobody here is
going to be Brain of Britain, if you know what I mean.
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