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Dates refer to when review was written
Hacks (2/12)
A very thinly
disguised satire of the News Of The World phone hacking scandal, with Claire
Foy as the editor of a tabloid paper run by a ruthless Australian
(Michael Kitchen). You know the story, so the fun is matching these
“fictional” characters with their real-life counterparts and laughing
at their ridiculousness. Of course writer-director Guy Jenkin gets the
last laugh with how one imagines he would have wanted things to turn
out for everyone.
Hale and Pace (5/89)
Yet another comedy double act, with Gareth Hale and Norman Pace. They
blew up a cat in a microwave in the opening episode, winning them a role
in a cat-oriented episode of Dr Who ("Survival") later in the year.
H&P @ BBC (1/00)
Hale and Pace take their act to the BBC with this audience participation
show that I must admit was more palatable than Reeves and Mortimer's Families
At War. Members of the audience compete for a "screen test" (edited
into a classic film clip) or try to identify music while underwater, while
celebrities are quizzed on general knowledge or get to impersonate someone
famous (a la Stars In Their Eyes). On the road, the boys try to
get "something for nothing," brazenly going into shops around the country
and just asking for things for free. Amazingly, they accumulate quite a
bit of booty!
Happiness (1/02)
Paul Whitehouse (The Fast Show) stars
as Danny in this BBC comedy/drama about a middle-aged semi-celebrity (Danny
is the voice of a popular cartoon bear) who is recently widowed and trying
to make sense of it all. His friends are mostly a pack of losers,
including Johnny Vegas as an alcoholic, Danny's ex-girlfriend now married
to a boring librarian (Mark Heap from Spaced)
and expecting their first baby, and Danny's over-aged manager who rides
a motorcycle and tries to hang on to the illusion of youth with a succession
of much younger girlfriends. After a series of disasters Danny finally
gets a posh girlfriend but his insecurity is certain to blow that relationship
too. The series is a nice change of pace for Whitehouse who has slowly
been expanding his repertoire from impersonations and comic characters
to an actual flesh-and-blood three-dimensional person. He also co-wrote
it and sings the title song.
Hamilton Mattress (1/03)
Animated BBC children's special about an aardvark who wants to become
a drummer but is told he's too ugly to be in a band. He finds someone
to "front" for him and uses the unlikely pseudonym of Hamilton Mattress.
But will he be found out or will there be a happy ending? Guess.
Hamish Macbeth (11/96)
Second season of this drama about a young policeman (Robert Carlyle)
in a remote Scottish town. Much like Ballykissangel,
everyone in town is a character, and much of the action revolves around
the local pub. But things get serious in the fourth episode when tragedy
strikes the life of young Hamish. Three seasons in total were produced.
Hannibal (4/08)
Alexander
Siddig ("Star Trek: Deep Space Nine") has the title role in this
documentary chronicling the life of the legendary general from Carthage
who nearly brought Rome to its knees. Amazing recreations feature a
cast of thousand (digital) extras, elephants, and location filming.
Harbour Lights (9/99)
Nick Berry, the British George Clooney, stars in this light-handed
BBC drama series as a former Royal Navy officer who is now Harbormaster
in a small port town. Each week he solves everyone's problems with a deft
touch, while various subplots swirl around him. There's nothing wrong with
this series, but everyone turns out to be okay, and the result is a wee
bit bland and predictable.
Hardware (3/04)
Writer Simon Nye (Men Behaving Badly)
tried to hit gold again with this ITV workplace comedy starring Martin
Freeman (The Office). It's
a bit like the macho bonding that Tim Allen captured in "Home Improvement"
particularly the "secret code" that seems to exist between contractors
and hardware staff that the general public just can't grasp. I much
preferred Nye's last comedy, the wacky Wild West,
rather than this routine sitcom.
Harry and Paul's Story of the Twos (6/14)
For
the 50th anniversary of BBC Two, Harry Enfield and Paul Whitehouse
recreate famous scenes and proceed to parody the history of the channel
with various impersonations. They mock the fact that nearly the same
documentary about WWI can be done 50 years apart, and over the years
all viewers really want is "Bruce Forsyth, Doctor Who, and Coronation
Street." This culminates in the ultimate celebrity panel show with
impressions of Angus Deayton, Paul Merton, Boris Johnson, Ian Hislop,
David Mitchell, Sarah Millican, "Uncomfortable Journalist," and Stephen
Fry. The more you know about the history of British TV and the
personalities, the funnier this is to watch.
Harry Enfield and Chums (7/95)
Sketch comedy series with recurring characters each week. Other favorite
bits include "Benny Elton" featuring the actual alternative comic taking
on the characteristics of another notorious British comedian; a parody
of Four Weddings and a Funeral; some more training films from Mister
Cholmondley-Warner; and the Merchant/Ivory production of Terminator
3 with Martin Clunes. Read
my feature about Harry Enfield.
Harry Enfield's Brand Spanking New Show (1/04)
Harry made the big bucks leap to
Sky TV and tried to invent new characters but nothing really catches on
and the absence of former collaborators Paul Whitehouse and Kathy Burke
is sorely missed. Enfield is currently doing voice overs as a gnome
in the Travelocity ads in the U.S.
Harry Enfield's Guide To Opera (3/93)
A noble experiment, an attempt to bring and explain "culture" to the
masses (or whoever bothers to catch this 6-part series of Channel Four).
There are attempts at comedy, particularly to take the piss out of stuffy
opera buffs, and plenty of long clips from famous productions. From an
educational point of view, not bad.
Harry Enfield's TV Show (1/91)
Enfield, the man behind last year's Norbert
Smith does a collection of characters. He's talented but the writing
could have been sharper here.
Harry Hill (9/97)
The jury was out on Harry Hill for a long time. I first became aware
of him from his oddball but endearing shorts, Harry
Hill's Fruit Fancies. And his appearances on Saturday Live
last year were the only rays of quality. My friend Allen in England would
ring me after each episode of this new sketch comedy to rave about how
hilarious it was. And perhaps on a Friday night after coming from the pub
it is pretty funny. But I felt a little went a long way. Every week,
Harry and his cadre of co-stars would do the same gags and sketches every
single show. It got to the point where I knew what was going to happen
moment to moment. I suppose the payoff was the final episode where the
expected rhythm was mercifully broken up, but by then I had to wonder,
"What's the point?" Still, it could be funny at times and David Letterman
loves
this guy. But literally, if you've seen one, you've seen `em all.
(5/99)
The second season on Channel 4 of David Letterman's favorite British
comic is a sight better than last year, which at times seems like they
used the same script for six weeks. This year (under the auspices of Script
Editor Stewart Lee), there are attempts at genuinely funny sketches that
stand up on their own, building jokes on earlier gags, and some truly surreal
moments (the head of Channel 4 is portrayed as a demented puppet who just
wants to get on TV). While Hill's stand-up act still leaves me cold, the
rest of his show has, at least, gone from being dreadful to at least watchable.
Harry Hill's Fruit Fancies (1/95)
A short subject about an attempted suicide who keeps offing a succession
of family dogs by accident. Needless to say, it's played for laughs.
Harry Hill's Shark Infested Custard (4/08)
Junior
edition of Hill's wacky hijinks, involving kids and their grans. The
only thing that justifies this series in my mind is the idea that
hooking people while they're young on Harry's peculiar, yet amusing, brand
of humor, guarantees a lifelong career (one hopes).
Harry Hill's TV Burp (1/03)
Fringe comedian Hill comes the closest to mainstream audiences with
this somewhat tired format of commenting on the current week's TV shows.
Of course he gets to cut loose with his odd brand of humor, such as trying
to give a horse to the characters of Coronation Street or interviewing
a dog from EastEnders.
Hattie (3/11)
Lovely Ruth Jones from Gavin & Stacy
starred in this BBC4 biopic about the private life of comedienne Hattie
Jacques. Hattie was best known in Britain for appearing in many of the
"Carry On" films, usually as the Matron, and in the long running comedy
program Sykes along with Ernie
Sykes. She was married to actor John Le Mesurier, best known for being
in Dad's Army. He's played by Robert Bathurst, seen these days in Downton Abbey. It's the early 1960s and Hattie spends her days
working on "Carry On Cabbie" and then coming home to her often
unemployed husband and two sons and cooks them dinner. They have a
border who lives in the attic and babysits the boys. She then meets
John Schofield, a young used car salesman played by clean-shaven Aidan
Turner (Being Human).
Schofield sweeps Hattie off her feet and they begin having an affair.
Soon, Schofield is the new border living in the attic right underneath
Le Mesurier's nose. Hattie and Schofield continue their affair even
after they're discovered one night by Le Mesurier. But Hattie still
loves her husband and can't bear to have to choose one man over the
other. So an arrangement is made. Le Mesurier discretely moves into
the attic while Schofield gets the bedroom with Hattie. All this is to
prevent scandal which would ruin Hattie's career. Schofield gets it
right when he says he doesn't understand posh folks. Hattie eventually
arranged for her husband to date and marry her best friend and he even
agrees to fall on his sword and let himself be accused of adultery so
Hattie can get a divorce without it seeming her fault. These
extraordinary events were chronicled in Hattie's authorized biography
which the public didn't discover until years later. This TV Movie
dramatized this unusual situation in a straight-forward manner, with
excellent performances from each of the actors.
Have I Got News For You (5/93)
Current affairs are turned into a humorous game show with host Angus
Deayton, and panelists Ian Hislop (editor of Private Eye) and Paul
Merton joined by two celebrities who must recall the current week's
news stories based on pictures, headlines, or other bits of information.
Lots of ad-lib guessing is encouraged (with the word "allegedly" used often
to avoid potential libel suits) and the point scoring is about as accurately
kept as Whose Line Is It Anyway?. In other words, having fun is
much more important than getting the correct answer. A fun way to end each
week during its 8-week seasons twice a year, with plenty of "naughty" words
too.
(7/94)
The latest series of this current affairs game show that cleverly gets
around libel suits for disparaging remarks made about famous people by
adding the word "allegedly" after every sentence. As usual, the attempt
by the four panelists is to come up with a humorous quip rather than answer
a question seriously. In the final episode, the guest panelist is Salman
Rushdie!--picked out of a crowd with his bodyguards at random--allegedly!
Hawking (10/05)
BBC dramatization of Stephen Hawking's life from 1963-65 while he was
still at University writing his thesis. You get to see a lot of very
smart people argue about the origin of the universe (at the time, the "steady
state" theory was generally accepted, while Hawking fought an uphill battle
to prove the Big Bang theory instead). Meanwhile, he is diagnosed
with his terminal illness and begins to use crutches to walk and meets
the woman who will become his first wife. Flashforwards to two Americans
winning the Nobel Prize in 1978 are used to foreshadow Hawking's eventual
breakthrough.
Haywire (1/00)
BBC-2 sketch comedy show that channel surfs in the year 2020 between
all the bizarre choices available. I think they overestimated by several
years, and many of these are either here now (ever watch Public Access?)
or just around the corner: Innuendo TV (cooking shows filled with double
entendres), Quiz News, Looney TV, the Conspiracy Channel, Mob TV, and the
Awards Channel.
Headcases (7/09)
CGI
replaces puppets in this celebrity topical satire that tries to match
the outrageousness of Spitting Image. The best running joke is
Prince Philip's repeated attempts to get rid of Harry's latest
girlfriend in a segment called "Stop Kate Middleton Now" which bears
more than a resemblance to an old Hanna-Barbara cartoon about a
pigeon-obsessed villain and his snickering dog sidekick.
Heading Out (6/13)
Sue
Perkins wrote and stars as Sara in this BBC sitcom about a middle-aged
veterinarian who still hasn't come out of the closet to her parents
(get the title?). Her friends (including Nicola Walker--so nice to see
her smiling and laughing rather than the usual dour dramatic
performances she is usually cast in) are determined to help her, and to
that end hire a wacky life coach (Joanna Scanlan). Shelley Conn (Mistresses) is a potential girlfriend for Sara, but her nervousness and self-doubt make a relationship difficult.
Healer, The (5/95)
In this two-part BBC drama, an Irish doctor recently hired by a hospital
has the ability to heal (ie, in ways that were never taught in medical
school). He clashes with the medical administration when he begins to "heal"
other doctor's patients, and then a media circus erupts around him when
he brings a young boy back from near-death.
Heartburn Hotel (11/98)
Tim Healy (The Grand) stars in this
comedy series as a grumpy hotelier in Birmingham whose dreams of glory
went up in smoke along with Birmingham's 1992 Olympic bid hopes. Now the
Social Services use it as a dump for society's misfits, although Healy
still dreams of better days. Co-written by John Sullivan (Only
Fools and Horses).
The Heart Surgeon (9/97)
Nigel Havers stars in this two part BBC drama as a cool doctor whose
ethics are called into question when a patient of his dies in mysterious
circumstances - and it's discovered he was his lover's husband. Havers
is no saint but sympathy is with him as his world begins to crumble around
him.
Hearts & Bones (3/02)
Dervla Kirwan (Ballykissangel) and
Amanda Holden (The Grimleys) star in this
six-part BBC drama about three couples and their lives and loves.
Hold on, isn't that Cold Feet over on ITV?
Well, why mess with success, and the series hews to the formula with plenty
of angst and suspense over who will end up with whom.
Heaven On Earth (7/98)
Neil Pearson (See You Friday) stars
in this two-part BBC drama about a burned out yuppie who has no where else
to turn after going bankrupt except to follow his wife and daughter to
an
Amish-like religious commune, where his grandfather-in-law is patriarch
and has been suffering terrible visions of doom. Once there though, Pearson
takes to the community like it was second nature, quickly converts, and
learns how to fashion the wood furniture that is so prized by "outsiders."
Soon, he is angling to succeed the old patriarch, while his wife becomes
more and more horrified at the extremes he goes to in order to remain in
control. An interesting look at what would happen if a complete monster
were to assume power in a society where absolute faith in "God's will"
does not allow for dissension in the ranks.
Hebburn (12/12)
BBC
comedy/drama about a newly married couple who return to Hebburn (sounds
like "heaven" when spoken by the locals) near Newcastle, where things
don't change much. Jack's new bride from "down south," Sarah (Kimberley
Nixon) surprises everyone by being Jewish, and mum and dad (Gina McKee,
Jim Moir--aka "Vic Reeves") are disappointed they didn't attend their
drunken quickie Vegas wedding. Jack's old girlfriend is still on the
warpath, while his sister is sweet with the local pub crooner. Much of
the action occurs in the local pub, or in gran's nursing home. Written
by Jason Cook, not surprisingly it was produced by Steve Coogan's Baby
Cow Manchester company.
The Hello Girls (1/97)
BBC comedy/drama set in the early 1960s featuring a plain girl who
gets a job as an operator with the G.P.O., at the time the phone company
in Britain. Like all British hierarchies, the women are expected to conform
to the organization's exact, and time-honored standards, even though our
heroine's boyfriend is a Marxist. The BBC lovingly recreates the era complete
with busses, cars, location shots, clothes, hairstyles, and it's a fascinating
slice-of-life of another bygone era.
Hello, I'm Jack Berry (1/03)
BBC sketch sitcom that is notable for linking every one of its sketches
somehow. This must have been a bitch to write and shoot because each
segment relies on the previous one to set it up. One running gag
involves "The Pissed Detective."
Help Your Self (4/07)
Angus
Deayton mocks American self-help videos with generous clips (mainly
from the 80s and 90s), which out of context do appear to be incredibly
stupid or highly obvious with their advice.
Henri (7/94)
A BBC TV movie about a young Protestant girl who wins a music talent
contest and travels to Belfast in order to play her instrument...an accordion.
Needless to say, she finds Catholic Belfast with its armed militia and
barbed wire fences quite a change, not to mention having to cope with people
accepting her unusual choice of instrument. It all ends very strangely:
she flies off aboard a concrete bunker being transported by helicopter
by the British Army over the city. Away she goes...
Henry VIII (5/04)
ITV/"Masterpiece Theatre" co-production with an all-star cast including
Ray Winstone as Henry, and Helena Bonham-Carter as Anne Bolin in this big-budget
dramatization. Henry, as played here, is very sympathetic, dealing
with a divided kingdom and driven by his obsession for a male heir.
That, and a poor choice of advisors, are what lead him to go through his
many, many wives (easy way to remember their fates: "Divorced, beheaded,
died. Divorced, beheaded, survived.") Great pains are made
to show Henry's suffering, particularly anguish over Anne's fate, and perhaps
was custom at the time, the ones for the chop all gave Henry a glowing
testimonial just before they lost their heads.
Here's Johnny (7/97)
Latenight Channel 4 chat show with Johnny Vaughn. His interviews (and
guests) are crap, though mercifully brief. Instead, the strengths of the
series are the running jokes: a different ethnic house band each week ("to
try them out"), a "Lurker of the Week" contest featuring the person who
does their best to appear on camera during Channel 4's racing coverage,
and "probes" into things like pub shoes. At 24 minutes (minus commercials),
Vaughn doesn't overstay his welcome, particularly as the series only ran
7 weeks.
Heroes and Villains (7/95)
Three episode BBC biographical series featuring famous comedians in
epic dramatizations of some notoriously colorful people in British history.
The first and funniest is Jennifer Saunders (Absolutely
Fabulous) as Lady Hester Stanhope who went from being the niece
of Prime Minister William Pitt to a Queen in Syria in the early 19th century.
Secondly, Rowan Atkinson gets behind the wheel again as ace driver Sir
Henry "Tim" Birkin, who drove for Bentley in the 30s but also blew the
family fortune trying to perfect a race car of his own. Finally Jim Broadbent
is Colonel A.D. Wintle, a veteran of both World Wars who went on to be
a famous litigant in a contested estate case. The title of the series is
derived from the fact that as spectacular as each of these people's lives
were, they each paid a price, personally, emotionally, and financially.
Excellent dramas with genuine wit and great historical recreations.
Hetty Wainthropp Investigates (7/96)
Patricia Routledge (Keeping Up Appearances)
stars in what seems at first like a Murder, She Wrote rip-off about
a senior citizen solving crimes on her own, but the drama and characters
take precedent over the whodunit elements and elevate the series to something
watchable.
Hidden (11/11)
Tough
guy Philip Glenister (Life on Mars) gets to do his thing as Harry
Venn, a dodgy solicitor who takes on a case that has ripples that
connect right up to a scandal involving the prime minister. Hired by
Gina, a beautiful French barrister, both her past and Harry's are
somehow connected with a scheme by powerful interests to bring down the
government, and only Harry can solve the mystery. David Suchet appears
as Gina's father who wants to protect his daughter but turns out to be
more involved with the conspiracy than he knows. Hidden is a good,
exciting romp, similar in style to Glenister's earlier turn in State
of Play.
The High Life (5/95)
Suppose Pee-Wee Herman were Scottish? Suppose he were cloned? Then
you'd have something very similar to this sit-com about two thick flight
attendants starring Alan Cumming (Bernard and the Genie). Yes, two
Scottish Pee-Wee impersonators do their thing in the air and on the ground.
And if you enjoy this sort of thing, it's all yours.... The pilot was originally
shown on Comic Asides.
High Stakes (1/02)
Richard Wilson (One Foot In The Grave)
stars in this fairly lame ITV workplace comedy set in the world of high
finance. He gamely tries his best but the scripts lack ambition and
go in predictable directions.
Him & Her (10/10)
This
Russell Tovey vehicle was more like a one-act play than a situation
comedy. Shot like a film but in a very claustrophobic apartment, Tovey
plays Steve who mostly wants to have sex with his girlfriend Becky.
But interruptions in the form of creepy neighbor Dan and Becky's sister
Laura keep getting in the way. Steve is the kind of feckless guy who
is afraid of spiders and goes mental when he discovers that Becky
hasn't flushed the toilet. He also can't keep a secret. I felt I was
watching an episode of Pete Versus Life waiting for the commentators
to bet on when Steve would tell Laura her boyfriend had cheated on
her. Which he does. I'm not sure I'm in the mood right now for
another "slice of life" series like The Royle Family where nothing
much happens, we just witness rather shallow, lazy characters living
their lives.
Hippies (9/00)
Immediately following his series Spaced,
Simon Pegg moved to over to BBC to star in Arthur Matthews and Graham Linehan's
(Father Ted) new series set in the 1960s.
I've become very fond of Pegg ever since he played Julia Sawalha's unloved
boyfriend in Faith In The Future, and
subsequent appearances in Matthews & Linehan's sketch series Big
Train increased his range. But is a series mocking lazy hippies
really necessary? Everyone concerned has done much better work elsewhere,
although it's not without a few chuckles.
A History Of Alternative Comedy (9/99)
Once upon a time, British comedy was safe, especially on television,
but in the 1970s a revolution of sorts occurred, with the first comedy
clubs opening in Britain (though nobody knew what to make of Alexei Sayle,
Rik
Mayall, Adrian Edmondson, or French and Saunders the first time they
saw them on stage), and their eventual success on TV, all chronicled in
this BBC documentary series presented by Angus Deayton.
The History of Light Entertainment (4/08)
Stephen
Fry narrates this comprehensive documentary series looking at Light
Entertainment, everything from comedians, to impressionists, and disc
jockeys, with interviews, photos, and film going back to vaudeville
days to the modern era.
The History of Mr Polly (10/08)
Lee
Evans stars in this rarely filmed HG Wells story about a young man
trying to find his place in the world in this ITV TV movie. He inherits some money and
opens a shop, but chooses poorly in marriage. A convenient fire gives
him the excuse to get out of the trap he's made for himself and he hits
the road to find his destiny. Eventually he tries to help out an
innkeeper in distress (Julie Graham) but he'll need to summon up some
courage first.
The History of Youth TV (1/99)
Surprisingly, "Yoof TV" (as it's called in the UK) is a fairly recent
invention on British TV (famously parodied by Ben Elton with "Nosin' Around"
during the first episode of The Young Ones). It was mostly shepherded
into existence by Janet Street-Porter with Network 7, a MTV-like
blast of graphics, sound, and images aimed at the teen market by Channel
4 in the late 80s. This was followed by The Word and Rough Guide
travel series among others. But like all trends, it burned itself out with
an ever-increasing number of shows which all had the same styles, and the
realization that more teens were still watching One
Foot In The Grave than any of the programs supposedly aimed directly
at them. Which isn't to say there aren't still some good efforts being
made, including The Adam and Joe Show (who
were interviewed as part of this documentary), and Lee and Herring's material.
Hit & Miss (6/12)
A very
unusual drama on Sky Atlantic from Paul Abbott (Shameless) about a
transsexual woman (Chloë Sevigny, "Big Love") who unexpectedly becomes
foster mother to a family of orphans that belonged to an ex-lover. Oh
yeah, she's also a remorseless hitwoman for a mob boss on the side.
These two competing genres seem like they should not work together, but
in the post-"Sopranos" world, anything is possible. Sevigny gives it
her all (with plenty of nude shots showing her with a cock) but the
power balance seems odd. Faced with a nasty neighbor who owns the
property her new family lives on, he seems outclassed when we know
she's killed dozens of people without a second thought. Abbott
certainly is no stranger is presenting protagonists that on nearly any
other series would be the villains, and we're meant to sympathize and
ultimately root for their small victories. If nothing else, I will give
Hit & Miss props for being utterly different than any other series
currently on TV.
Holding On (11/97)
This ambitious BBC multi-part drama does for London what Our
Friends In The North did for that particular region. Written by
Tony Marchant, characters are added and interconnected in a rich texture
that requires attentive viewing but pays off handsomely with first-class
drama. It's almost like a huge soap opera except much better written and
with a point. Stylishly filmed with long steadicam shots right on location
in the streets and buildings of London. This contrasts with scenes of Phil
Daniels (Sunnyside Farm) as a misanthropic
food critic who is shot with a distorted fish-eye lens and addresses the
camera directly. Death strikes frequently (and unexpectedly), but there
is also love, betrayal, and people who are driven to the brink of breaking
by life and the pressures of the big city and manage (though not in all
cases) to keep on going.
Holed (1/97)
TV Movie about a foursome who has golfed together every weekend for
10 years. But all the old rivalries and secrets come to a head one day
with fatal results. Tony Robinson is one of the group, a hypochondriac
who rides his bike to the course (one of the others arrives in his personal
helicopter). His partner is a young man whose late father was the course
champion and bitter rival of the fourth man. Compelling, even if you don't
find golf very interesting.
Hollow Crown
(10/12)
The
best Shakespeare you'll ever see. OK, the best set of
productions
following the Henry cycle (Richard II, Henry IV Part 1, Henry IV Part
2, and Henry V) the BBC has ever mounted featuring a stellar cast and
cinema-quality production values. Richard II kicks things off
with Ben
Whishaw (The Hour) as King Richard who eventually loses his throne to
Bolingbroke (Rory Kinnear) in a cast that includes Patrick Stewart,
David Morrissey, David Suchet and Lindsay Duncan. Henry IV stars Tom
Hiddleston (Loki from "The Avengers") as Prince Hal who cavorts night
and day with Falstaff (Simon Russell Beale), and a cast that includes
Alun Armstrong, Julie Walters, Michelle Dockery, Jeremy Irons and
Maxine Peake (in a tiny part, in any other other series she'd be the
lead!). When Hal takes over as Henry V we see his famous triumph over
the French at the Battle of Agincourt. These aren't actors shouting at
each other on a stage, when scenes take place in a castle, they're in a
castle, when they're on a beach, it's a beach, and when a battle takes
places, we see hundreds of costumed extras on location and plenty of
blood and gore. A co-production with WNET Thirteen, I would
expect
this will turn up on PBS eventually and I cannot urge you enough to
catch these first-class productions in every way, you won't regret it.
Hollywood's Master Of Myth: Joseph Campbell, The Force Behind Star
Wars (3/00)
BBC documentary that attempts to delve beyond the hype of "The Phantom
Menace" (it was screened the month the movie opened in Britain) by focusing
on the writer who was often credited as a huge influence on George Lucas,
and most "heroic" literature.
Hollywood Science (3/04)
Robert Llewellyn (Scrapheap Challenge)
co-hosts this BBC Open University series that explores whether improbably
things seen in movies are actually scientifically plausible. Backyard
experiments are performed to reproduce some of the dodgy onscreen science,
with a competition to see which movie does the worst.
Holy Flying Circus (11/11)
This
BBC-4 TV Movie recounts the events in 1979 when the Monty Python troupe
were under siege in Britain for their "blasphemous" movie, "The Life of
Brian." The climax was a bit of legendary TV when John Cleese and
Michael Palin were confronted by cultural critics Malcolm Muggeridge
and Mervyn Stockwood, the Bishop of Southwark, on Friday Night
Saturday Morning. This dramatization tries far too hard to be
"Pythonesque" with surreal bits like Palin's wife being played by the
actor also playing Terry Jones, cutaways of God (Stephen Fry) watching
the action, and Cleese (Darren Boyd) behaving more like Basil Fawlty
than a real person despite a disclaimer. We're continually reminded
that Palin is "the nicest man in Britain," which is supposed to
contrast with his increasing lack of patience that occurred during the
broadcast. To be fair, Holy Flying Circus, is almost exactly the
kind of movie I would have made when I was 18 when these events are
set. I was a die-hard Python fan at the time, like all my friends in
high school were, and I would have found such onscreen shenanigans
hilarious and inventive. Alas, I'm not 18 any longer and I can tell
when someone is trying just a bit too hard to replicate their comedy
masters and not succeeding.
Home Again (4/08)
When
I was interviewed on Radio Four last year, the presenter argued that
lately American sitcoms were perceived to be superior to British ones.
Perhaps it's because he was thinking of comedies such as this one,
about a young married couple who are forced through circumstances to
stay with the wife's parents. If this were the extent of British
comedy in the 21st Century, I would have to agree. Fortunately, they
aren't. (I also suspect they never see America's more dire comedies
such as "Two and Half Men" and "The King of Queens." Superior, indeed!)
Homefront (12/12)
ITV1
serialized drama about the lives of women whose husbands are deployed
to Afghanistan. It begins with Tasha (Antonia Thomas, Misfits)
receiving word her husband has died in action leaving her with a baby
and a mother-in-law who blames her. Other plots include a woman (Claire
Skinner) who is marrying the unit commander but isn't quite ready for
the life of being an officer's wife, and a woman who realizes her
husband has been cheating on her. When the boys come home on leave is
when the drama really happens.
Home Time (8/10)
This comedy
from Steven Coogan's Baby Cow company immediately clues you in for what
you will get: a deadpan character comedy about losers just looking for
a bit of dignity. In this case it's Gaynor (Emma Fryer), who returns
to Coventry after 12 years to move back in with her parents after
having been burned out living in London away from her mates. They
haven't changed a bit and after forgiving her for "running out" on them
(apparently you are expected to live within 10 miles of where you grew
up forever around there), she falls back into the same routines that
probably drove her out in the first place. Everyone from her Irish
mother to her rather doctrinaire friends are characters and though
low-key, you do care about them.
The Honourable Woman (8/14)
Maggie
Gyllenhaal stars in this complex BBC eight-part political thriller by
Hugo Blick (The Shadow Line) as Nessa Stein, an Israeli-Briton whose
family business in the middle-east puts her in the heart of the
Israel/Palestinian conflict. It opens with Nessa as a young girl who
along with her brother Ephra (Andrew Buchan) witnesses her father
assassinated in a London restaurant because he armed Israelis against
the Palestinians. Years later, the siblings have turned their father's
arms business into a peacemaking foundation that tries to deal with
both sides evenhandedly. But not everybody wants peace and a kidnapping
reveals Nessa's tortured (literally) past, and the compromises that
have been made on her behalf. The Americans and British secret service
also get involved, with Stephen Rea as a MI5 spook about to be put out
to pasture trying to get to the bottom of the secrets and lies behind
all the conspiracies.
Hope & Glory (1/00)
Lenny Henry (Chef) stars in this BBC
drama series as a successful school headmaster who turns down a lucrative
ministerial job to help turn around a failing inner-city grammar school.
Peter Davison appears in the first episode as the outgoing head and he
delivers the performance of a lifetime when he completely loses it during
a farewell party and ends up screaming at all the jeering students and
telling them exactly how worthless each of them are. Clive Russell (Heartburn
Hotel) and Amanda Redman are staff teachers who have to be convinced
that Henry's often rash decisions will work, while he tries to stave off
an inevitable heart attack.
Hope Springs (3/10)
Alex
Kingston leads the cast of four women who recently get out of prison,
rip off Alex's criminal husband, and end up in a small one-pub village
in Scotland when their attempt to escape to Barbados goes awry.
Instead, they purchase the run-down hotel/pub from its current owner
(Annette Crosbie) with their ill-gotten gains in order to buy time
until they can get new passports and out of the country. But they get
involved in the affairs in the small village, including the sleazy
banker who secretly has already committed two murders and impregnated
the local policeman's fiancee, and wants the hotel for himself. And
Alex's husband isn't far behind either in this BBC drama series.
Hornblower (3/99)
First in a series of ITV movies based on the classic novels. Newcomer
Ioan
Gruffudd plays Horatio Hornblower, a junior officer whose first ship
is under the control of a sadistic midshipman. Things look up when he is
transferred to a ship commanded by Robert Lindsay,
and from there it’s high adventure on the seas in this exquisite, handsomely
mounted production. More movies are coming, and eventually they will turn
up on A&E.
Horne & Corden (3/10)
The
two male stars of Gavin and Stacey teamed up for this BBC3 sketch
comedy series...with mixed results. Mathew Horne has already played a
number of characters in comedies including The Catherine Tate Show
and Roman's Empire, but James Corden tends to go for the Chris Farley type
of character, and there's only so much of that you can take. But they are
both nice young men and they'll do better next time.
Horrible Histories (6/11)
This
BBC children's series won a British Comedy Award in 2011 with an upset
win for "Best Sketch Series" beating out several well-known prime time
contenders. I was late jumping on the bandwagon of this clever, funny
look at history with well-mounted and researched historical sketches
that are annotated with on-screen facts when something particularly
unbelievable but true is mentioned. Yes, it's meant to be educational,
which it is, albeit in a very entertaining way. After languishing on
CBBC for years, a compilation series hosted by Stephen Fry finally made
the leap to BBC1 where latecomers like me could finally discover this
great show.
Horse Opera (5/94)
An opera specially commissioned for television and scored by The Police's
Stewart Copeland (in much the same vein as his score for the pilot of Babylon
5). The plot concerns a middle class Brit cowboy enthusiast who finds
himself in a real western. Rik Mayall also
appears. Strange and quite wonderful. How come nobody in this country makes
things like this?
Hospital! (3/98)
Channel 5 TV comedy movie that borrows heavily from the Airplane
school of comedy with sight-gags-a-minute. An all star cast led by Bob
Peck features cameos by Martin Clunes, Julian
Clary, Alexei Sayle, Nicholas Parsons, and Philip Pope. Hey wait a minute,
didn't Garry Marshall do this idea first in 1982 with "Young Doctors In
Love"? Hmmm...
Hotel Babylon (4/07)
Glossy
BBC drama series set a posh London hotel which allows for different
guest stars each week (Joan Collins!) as well as the misadventures and
mini-dramas between the staff. It's interesting, I suppose, if you've
ever been curious how a large, modern hotel operates behind the scenes
(assuming it's been researched at all), but the glamorous settings and
good-looking cast make it all go down easy.
Hot Metal (3/91)
Robert Hardy (All Creatures Great and Small) plays dual roles
as a Robert Maxwell-like media lord, and also as the publisher of a tabloid,
"The Daily Crucible" in this 1985-6 ITV sitcom. Much to the horror of editor
Geoffrey Palmer as a serious journalist, things go from bad to worse at
the paper, and he takes the heat for each public relations fiasco. Meanwhile,
an enterprising reporter (John Gordon-Sinclair) finds himself on a real
story. The second season continued without Palmer or Sinclair, with Richard
Wilson (One Foot In the Grave) taking over,
although Palmer returned in a special 15-minute 1989 Comic
Relief episode.
Hot Money (1/03)
Caroline Quentin (Jonathan Creek)
stars in this based-on-a-true story ITV movie about a group of women employees
of the Bank of England who stole thousands of pounds over several months
right underneath the bank's nose. Of course class differences come
into the equation, as conspicuous consumption by the working class members
of the gang nearly get them caught. Remarkably, there was never enough
evidence to prosecute the women, although eventually they lost a civil
case brought against them by the bank.
The Hour (11/11)
This BBC drama series is set in the world of TV news during the 1950s.
Romola Garai is Bel Rowley, an ambitious producer who gets promoted out
of the ghetto of the BBC news department. At the time the BBC presented
the news simply with a stodgy newsreader narrating a newsreel, akin to
how history was presented in Ricky Gervais' "The History of Lying."
Bel is to be the producer for the foreign desk of a new, more dynamic
magazine style show to be called "The Hour." The presenter is Hector
Madden (Dominic West), who isn't alone in thinking women should know
their place. Bel knows how to handle his type. She wants her colleague
Freddie Lyon (Ben Whishaw) to get a job with "The Hour" as well, but he
is too independent and willful for the conservative producers at the
BBC. Meanwhile, Burn Gorman (late of Torchwood),
is running around London mysteriously murdering people as part of some
conspiracy that Freddie begins to investigate. I have to admit, I was
spending more time fascinated by the set dressings than the actors in
front of them, particularly the signage around the BBC that had all the
charm of a tube station. But maybe that's just me because I like those
sorts of period touches. I'm not saying The Hour
is bad, like any British drama, I'm willing to give it a lot of
patience to see where it is going, and how it all pays off. I saw
complaints in The Guardian from someone who worked in that era who said
the details were completely wrong and anachronistic, but it could just
be sour grapes and 60 years of memory cheating too. There were obvious
comparisons of The Hour to
"Mad Men" although it's more like "All the President's Men," itself a
period movie now. However, much is not resolved by the end of the
first season, although fortunately the BBC has commissioned another
one.
House of Cards (1/91)
This year's A Very British Coup. Absolutely top-notch entertainment
from beginning to end with Ian Richardson pulling everyone's strings in
order to become Prime Minister. Very highly recommended. Followed by two
sequels: To Play The King and The
Final Cut. Screenplay adaption by Andrew Davies (Game
On, A Very Peculiar Practice).
House of Fools (2/14)
Vic
Reeves and Bob Mortimer create their first sitcom, which they also star
in as mismatched flatmates. Characters are introduced with quick
musical ditties, including their friend Beef (Matt Berry), oversexed
neighbor (Morgana Robinson) and other residents. A lot of jokes revolve
Bob losing his toupee, and often the action will switch to Grade-Z
quality animation to illustrate some action. But nobody tuning into a
Vic and Bob series can be surprised to discover the contents are
anarchic, silly, and funny. Not for all tastes, but they do sure know
their audience.
House of Windsor (7/94)
A sitcom directed by Graeme Harper (Star Cops and "Caves of
Androzani") about the behind-the-scenes goings-on at the palace. This runs
very late at night on ITV after Spitting Image
and isn't afraid to make the tasteless joke or show what happens when a
Corgi encounters an oversized carpet cleaner. The Royals themselves are
never seen, just the staff, but there are plenty of references to them
and their escapades. They must eat this stuff up in Republican-heading
Australia.
The House That Jack Built (1/04)
The late Adam Faith plays an overbearing rich father in this comedy.
Jack has three kids, two spoiled rotten, and the oldest who is married
and followed in the family business but can't avoid Jack meddling in every
little aspect of his life. Jack means well but he is the father-in-law
from hell trying to be in control of everything around him.
Housewife, 49 (4/08)
Victoria
Wood wrote and stars in this ITV drama about an ordinary woman who
keeps a diary during WWII as part of a government initiative to
document home life. At first she is a minor player in the local
Women's Auxiliary, but eventually finds the inner strength to take
control and help raise money for the war effort as well as stand-up for herself at
home.
How Do You Want Me? (7/98)
Writer Simon Nye's (Men Behaving Badly) comedy about an Irish
Londoner who marries a woman from a small country village then lives to
regret moving home with her. He is completely out of his depths in a town
where everybody knows one another and he immediately makes the worst impression
possible, especially on his new in-laws who practically control the place.
To fit in, he buys the local photography studio but doesn't know the first
thing about cameras, and at one point his father-in-law offers him £20,000
to get divorced and just leave town once and for all. He doesn't of course,
because the couple is truly in love, but that never stops the comedic tension.
Like Nye's other new generation of comedies (My Wonderful
Life,
The Last Salute), this series
is shot on film without a laugh track, with episode titles generated by
lines in the script.
How Not To Live Your Life (3/10)
Dan
Clark wrote and stars in this BBC comedy as Don the ultimate slacker
who manages to inherit his grandmother's house but then discovers (to
his horror) that he can't spend the rest of his life just sitting
around watching television. There are amusing fantasy sequences,
headed by captions such as "5 Things Not To Say In A Job Interview" and
we get to see all five before Don manages to choose the least-incorrect
response to a situation.
How to Be a Little Sod (6/96)
A series of animated shorts featuring the voice of Rik
Mayall as the Baby From Hell giving instructions on how to drive parents
completely crazy. Believe it or not, this ran on staid BBC-1.
How To Get Ahead... (6/14)
In
this BBC Four documentary series by Stephen Smith, he presents the
step-by-step tips to success in various historical periods including
Medieval Court, Renaissance Court, French Court, etc by behaving the
correct way, knowing the right people, and other tricks of the trade.
He also interviews folks like David Tennant who was then playing
Richard II for his take on staying on top.
How To Make It Big In Bollywood (1/00)
American media rules the world, except in India which has a huge homegrown
film industry (known as "Bollywood") that cranks out hundreds of films
every year. And what movies: each is epic-lengthed with elaborate musical
numbers that would put Busby Berkeley to shame. In this series of Channel
4 shorts, different members of the crew talk about how they create the
world of Indian cinema.
Human Remains (1/02)
Rob Brydon (Marion & Geoff) stars
in this anthology series that looks at the saddest married couples in Britain.
Fans of the Marion & Geoff style will appreciate the deadpan
humor and lack of laughtrack, but spending extended periods of time with
these people merely becomes painful after a while.
Hunderby
(10/12)
Julia Davis
wrote and stars in this parody of gothic romances on Sky
Atlantic.
Helene (Alexandra Roach) washes up on the beach after a shipwreck and
promptly marries the local parson much to the consternation of his
housemaid Dorothy (Davis). Helene has a secret past but
Dorothy
behaves much as Davis did in her earlier series Nighty Night as a
woman with no shame who will literally do anything to get what she
wants. Whether you want to see this done in the backdrop of a costume
drama is up to you.
The Hunt (1/02)
Amanda Holden (The Grimleys) and
Philip Glenister (Clocking Off) star
in this ITV two-part drama as a successful young couple who move out to
the countryside and join the gentry. The subplot is the foxhunting
debate, but mainly the local smoothie who has a history of seducing ladies
and sets his eye on Amanda.
Hunted (12/12)
This
BBC/Cinemax co-production is very similar to "Alias," which also
starred a kickass female spy trying to uncover a conspiracy. Here, Sam
Hunter (Melissa George) is betrayed during a mission by one of her
team, spends a year recovering in secret, then returns to London to the
private security company she worked for, each side not trusting the
other. Her team's new assignment is to prevent corrupt Jack Turner
(Patrick Malahide) from winning the bid to buy a Pakistani dam, but as
Sam goes undercover as an American nanny, she discovers that she might
not be working for the good guys. Former "X-Files" producer Frank
Spotnitz created the series, so you can imagine the conspiracy theories
that develop over the eight episode run.
Hunting Venus (11/99)
Martin Clunes stars and directed this
ITV TV movie comedy about a one-hit wonder rock band from 1982 he is forced
to reform by fanatical members of his former fan club. Of course the band
has spread to the four winds, including Clunes' Men
Behaving Badly co-star Neil Morrissey as the lead singer who's
had a sex change operation in the intervening years. Essentially it's a
road movie, but Clunes has a pretty good directorial touch, the characters
are ingratiating, and of course there's a happy ending.
Hustle (3/05)
Robert Vaughn co-stars in this glossy BBC light drama/action series
about a team of slick con men (and one woman). Each week, "Mission:
Impossible"-style, they single out some obvious villain and proceed to
clean his shorts out (apparently this is okay because the audience knows
the mark is a real creep). Usually there is at least one con pulled
on the audience (oh no, they've killed him! Oh, just kidding!) and
digital effects allow them to actually stop the action, explain directly
to the audience what is going on, or even have an impromptu musical number
(during a movie scam). Entertaining fluff.
Hyperdrive (4/07)
Nick
Frost ("Hot Fuzz") stars this science fiction comedy as the incompetent
captain of a third-rate British starship that has misadventures. Kevin Eldon,
whom I normally like a lot, is miscast as the over-the-top paranoid
First Officer (he just seems to be someone impersonating such a
character, not actually playing a real person). Though there are a few
chuckles throughout, you can't help be reminded at every corner how
much better and funnier Red Dwarf was at this same genre. Hey, why
don't they bring that back?
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