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Dates refer to when review was written
N7 (1/96)
This North London postal code is where the denizens of this BBC pilot
sitcom reside. Nick's apartment has just been burned out causing him to
temporarily take lodging with some married friends. Pretty typical stuff
so far, eh? The thing about Nick is his geraniums talk to each other and
to Nick -- who talks back. Even though Nick eventually moves back into
his apartment by the end of the first episode, I wouldn't mind seeing more
of this series, if only to see what the geraniums get up to next.
Naked (3/04)
A new director's showcase features a short about a young man whose
girlfriend's family are naturists (i.e. nudists) and she wants him to meet
the folks. At first he thinks he can handle taking his clothes off
in front of strangers but on the night he freaks. Basically a tale
about tolerance, presumably with the participation of some real-life nudists.
The Naked Actor (1/91)
Nigel Planer stars in this send-up of "How To" series for actors. He
adopts a posh accent and fills the show with a series of out-of-context
clips from chat shows of different actors. Utterly pretentious and deliberately
so!
Naked Video (11/90)
Topical sketch comedy from Scotland. Some of the regional dialects
are too hard to understand at times though.
Nancherrow (1/00)
Joanna Lumley co-stars in this ITV mini-series, a sequel to 1998's
Coming
Home about a family of landed gentry. I facetiously referred to
the original one as "Gosh, It's Swell To Be Rich," but the sequel could
as easily be called "Darn That Rotten Labour Party For Ruining Our Fun."
Set in post-war Britain, keeping the family estate of Nancherrow isn't
as easy as it used to be in the face of inheritance taxes, austerity, the
coming of the NHS, nationalization, TV, and the polio epidemic (though
the latter probably wasn't the fault of Labour). With a will Scarlet O'Hara
would admire, the daughter's affection for her ancestral home borders on
obsessive, and nearly costs her all the relationships in her life.
Nature Boy (3/01)
A young man with an affinity for animals crosses Britain looking for
his long-lost father (Paul McGann) and along the way encounters a different
group of people in each episode that use his help in this engaging BBC
mini-series. In one story, he stays with a family that is involved
with the corporate cover-up of contamination, in another a group of tree
lovers try to save a forest from road builders. McGann only appears
briefly in flashbacks or speaking to his son in fantasy sequences.
Nazi Pop Twins (10/08)
James
Quinn profiles twin sisters in California whose pop music act (Prussian
Blue) feature lyrics all about white supremacy. The girls clearly are
too young to know what they are doing, as usual it's their mother who
is the driving force in their life (she got it from her father,
although the twin's grandmother is ready to leave him because of all
the racist nonsense she's put up with).
Never Better (1/09)
Stephen
Mangan stars in this low-key BBC comedy about Keith, a reformed
alcoholic who isn't quite getting the point of AA, or realizes what a
social disaster he is now he's sober. Though well-meaning, Keith
manages to get into wacky only-on-TV type situations which mean his
utter humiliation in the end.
Never Mind the Buzzcocks (3/97)
A pop music quiz show hosted by "50s throwback" (as he's referred to
on Shooting Stars), Mark Lamarr. Two teams
of near-famous musicians pit their knowledge of songs in various rounds:
guessing a song from having the other players mouth the melody without
the lyrics, guessing what happens next in bizarre music videos from the
archives, naming a song based on silent choreography from "Top of the Pops,"
deciphering hard-to-tell lyrics from mumbled classics, and spotting where-are-they-now
stars from a lineup of lookalikes (they nearly always get it wrong too!).
Great fun even if, like me, you don't have an encyclopedic knowledge of
popular music.
Never Mind the Horrucks (1/97)
Comedienne Jane Horrucks stars in a series of sketches in this hour-long
pilot. Along with Martin Clunes and the
ubiquitous Philip Pope, she skewers Sense and Sensibility, early
BBC children's programming, Cilla Black, American morning chat shows, and
many others. Racy, but quite funny stuff.
Never Never (1/02)
Tony Marchant (Holding On) wrote
this two-part drama about a young loan shark (John Simm, Life on Mars) who is king of the housing
estate he extorts until he is brought low by one of his victims.
He loses it all and irony of ironies has to move into the same housing
estate and live with those he once took advantage of. Knowing how
they are being ripped off, he reluctantly helps them start a credit union
and then ambitiously wants to expand to become a real high street bank.
He also falls in love with an unwed mother although she is hiding a secret
that could tear their relationship apart. A gritty urban drama, and
don't expect a happily-ever-after ending.
Neverwhere (1/97)
Comic book writer Neil Gaiman's six part surreal series (devised along
with funnyman Lenny Henry) takes us to the world of London Below, a collection
of warrens, tunnels, and tube stations that is unknown to those of us who
dwell in London Above. A young Scotsman helps a homeless girl named Door
whose family has just been massacred by agents unknown. Suddenly his world
is turned upside down and no one knows (or can see him) any longer. He
follows Door back to her world, they pick up some companions, and they
travel all across London to familiar yet strange places in search of the
culprits behind everything. Slow going at first, and badly let down by
a cheap video production, nevertheless it is a satisfying fantasy adventure
full of fascinating characters and imagery. I wouldn't mind a sequel at
all.
Neville's Island (9/98)
ITV TV-movie based on Tim Firth's stageplay about four men on one of
those "bonding" survival weekends who end up stranded on an island in the
Lake District and of course learn more about each other than they ever
wanted to know. Four comedy veterans, Timothy Spall (Outside
Edge),
Martin Clunes (Men
Behaving Badly), David Bamber (Chalk),
and Jeff Rawle (Faith In the Future),
make up the team from a small business, each of whom thinks is being groomed
as the possible successor as president of the company. But two days of
"roughing it" reveals who each of them really is and why they are like
they are.
Newman and Baddiel In Pieces (9/93)
Young comedians (from The Mary Whitehouse Experience) in various
sketches. Their most famous characters appear on "History Today": two old
academic farts who continually insult each other with the catchphrase,
"That's you, that is." It's the elaborateness of their precise put-downs
that are hysterical, each trying to top the other.
News Knight (10/08)
Respected
ITV news anchor Sir Trevor McDonald gets to let his hair down, so to
speak, and react to current events (along with Clive Anderson and
Marcus Brigstoke) in a way he never could have on The Ten O'Clock
News.
The New Statesman (3/89)
Rik Mayall's series enters its second
season with him once again playing MP Alan B'Stard. While funny, it gives
even Black Adder a run for its money in sheer raunchiness. Definitely
not intended for younger viewers.
New Street Law (4/08)
John
Hannah plays an idealistic defense attorney running a barely viable
practice who usually is up against his old boss (Paul Freeman, "Raiders
of the Lost Ark") in this BBC drama. The personal lives of the lawyers
are fodder for the show, as well as two or three cases a week which are
neatly wrapped by the end of each episode. The visual style is like
watching a FOX sportscast: lots of whooshes and fast camera pans
between each scene.
New Tricks (3/04)
Amanda Redman (At Home With The Braithwaites)
stars in this light-hearted BBC detective series as an up-and-coming Met
officer whose career hits a bump when a kidnapping case goes awry.
Her superiors reassign her to form a new unit of former detectives and
re-examine open cases. What they really want is for her to whitewash
cases so they'll go away. Teaming up with James Bolam they recruit
a group of dodgy ex-coppers that, although unorthodox, get the job done,
despite the displeasure of the higher-ups at the Metropolitan Police.
Nice Day at the Office (1/95)
Timothy Spall (Frank Stubbs) takes
a stab at the sit-com genre as a bored corporate drone who dreams of escaping
drudgery. His main outlet is driving the security chief (John Sessions)
bonkers by anonymously signing the "Clean Bathroom Log" with names like
Pope Pius, and the entire membership of the 1966 Italian football team.
Nice Guy Eddie (3/02)
Ricky Tomlinson stars in this BBC pilot about a happily married northern
private investigator who gets in hot water with his wife when a young man
arrives claiming to be his love child. The two men make a great team,
particularly as Eddie is getting a bit past his sell-by date to do the
action scenes. And if he doesn't convince his wife soon he's been
faithful all along, he's not going to see much action there either.
Nice Work (8/91)
Very interesting four-part drama with Warren
Clarke (Sleepers,
Moving
Story) as the Managing Director of a midlands foundery who gets
stuck with a "shadow" in the form of a beautiful Doctor of English Literature
who has no idea what life outside academia is like. Needless to say, the
culture shock on both their parts is profound, but that's nothing compared
to the extremely explicit sexual content in this series. Very engaging,
I'd watch Clarke read the phone book.
Nightflight (1/03)
Edward Woodward and Christopher Plummer co-star in this BBC TV movie
about a pair of aging former WWII flyers who are reunited when Woodward
has a get-rich-quick scheme he wants Plummer to invest in. Flashbacks
to the war help set up the drama between the two though it's a bit confusing
which young actor is supposed to be who grown up.
Nightingales (3/93)
This seemingly routine sitcom about night watchmen is anything but.
It is certifiably surreal and quite amusing. Robert
Lindsay (GBH) and David Threlfall (Lesley
Titmus in Paradise Postponed, and recently Prince Charles in Diana:
Her True Story) are two loafers working under their "Sarge" who takes
his security job far too seriously. One episode was a parody of Mutiny
On the Bounty, another King Lear. The finale featured doppelgangers
of our three heroes attempting to replace them, and ended with a massive
fight breaking out between the two groups. Twelve episodes were produced
over two seasons. Worth seeing if you ever get the chance.
The Night Manager (9/16)
Tom Hiddleston is practically auditioning for James Bond in this John
Le Carre story about Jonathan Pine, a former special forces soldier who
gets drafted by an MI-5 operative (Olivia Colman) to infiltrate
supposedly untouchable arms dealer Richard Roper (Hugh Laurie). Tom
Hollander plays Roper's unctuous aide-de-camp who doesn't trust Pine (a
real contrast to the sweet character he was playing over on ITV at the
same time in Doctor Thorne).
Just like Bond, Pine gets to sleep with a number of ladies including
Roper's main squeeze (Australian actress Elizabeth Debicki) and avoid
narrow escapes. Laurie is awesome as the charming but snake-like
Roper, and also not ashamed to be shot visibly balding on top.
Great stuff!
Night Voice (11/90)
From the BBC Screenplay series, this drama stars Alexei Sayle
as a provocative late-night talk radio host who never gets involved with
the people who call - until a young intern interferes. No happy endings,
but there never are, but a good solid script and performances.
The Night Watch (11/11)
A
BBC adaptation of Sarah Waters' novel, "The Night Watch," a time
twisting tale of forbidden love during the WWII. Anna Maxwell Martin,
Jodie Whittaker, Anna Wilson-Jones and Harry Treadaway star. Martin
plays Kay Langrish, a lesbian who has survived the war despite having
been an ambulance driver during the London blitz. She had been in a
relationship with the rather impulsive Helen Giniver (Claire Foy), who
now lives with Kay's former partner, writer Julia Standing. Only
through flashbacks do we see how Kay originally met Helen and later
lost her. Martin is outstanding, and unafraid to appear with a minimum
of makeup and a utility haircut. She lets her performance do the work,
just a look often says more than lines of dialog.
Nighty Night (7/05)
Julia Davis wrote and stars in this BBC black comedy as the completely
amoral and self-serving Jill, who dumps her terminally ill husband (Kevin
Eldon) and starts making the moves on her new neighbor, a married doctor
(Angus Deayton). Jill is perhaps the greatest comic monster since
Alan B'Stard, she literally has no shame, from telling everyone her husband
is dead (he's merely in hospital), to completely abusing the good nature
of Deayton's disabled wife (Rebecca Front).
Nixon's The One (2/14)
A spin-off of Sky Art's Playhouse Presents,
this series stars Harry Shearer ("The Simpsons") as Richard Nixon,
recreating verbatim actual White House conversations recorded by the
Nixon Administration. But a little goes a long way in what is
essentially a one-joke premise: Nixon was an insecure idiot. Talk about
40-year-old news. Does this mean some comic will do a similar series in
2040 about George W. Bush? There aren't many horses deader to beat than
Nixon, which is probably why this series is running on a speciality
British digital channel and not in the US.
No Angels (3/05)
Channel 4 drama about a quartet of nurses who live and work together
and their various issues in the private and professional lives. The
moral of the series might be: doctors know everything, but don't mess with
the nurses!
No Bananas (11/96)
BBC drama series set in the early days of World War II about two families,
one working class, the other upper class. An unlikely marriage connects
the two, and we follow the various family members as the war increasingly
impacts on their lives. Of note is Stephanie Beacham (late of SeaQuest
DSV) as a haughty Lady whose husband is an unrepentant member of the
British Fascist Party. Episodes revolve events such as Christmas 1939,
Dunkirk, and the Battle of Britain, serializing the ongoing events of the
large cast.
Nobody Likes A Smartass (3/04)
BBC quiz show hosted by sarcastic comedienne Jo Brand where members
of the audience get to take on so-called experts.
Noel Fielding's Luxury Comedy (8/14)
This
offbeat E4 comedy is what you'd expect from half of The Mighty Boosh.
It includes a cast of regulars set in an offbeat location (for the
second series, it's a cafe on the edge of a volcano). Employing
deliberately cheesy model work, Fielding gets to play a number of
characters, and ostensibly there is a plot each week. But mostly you
tune in to witness the madness of letting someone with a huge
imagination loose on television who is not limited by his low budget.
No Heroics (11/09)
Low-key
but amusing ITV sitcom about a group of second-rate superheroes who
mostly hang out in a bar (where powers aren't allowed--hence the title)
and complain about how lousy their life is and are mocked by their more
famous (and better powered) brethren. A real counterpoint to the usual
wish-fulfillment that comic book heroes typically embody, our
protagonists suffer as only characters in a British comedy can.
No Job For a Lady (5/90)
Penelope Keith stars in the ITV sitcom about a female Member of Parliament.
Norbert Smith - A Life (5/90)
Harry Enfield stars in this "mockumentary"
about the career of a famous actor. It includes fabulous recreations of
various historical eras, including a Technocolor musical.
Norman Ormal - A Very Political Turtle (3/99)
Harry Enfield uses his penchant for doing characters to look at politicians,
in this case a former Tory who blows with whatever favorable winds are
currently in power (so naturally he’s now a Tony Blair Labourite). This
one-off "biography" about Ormal’s life includes the usual scandal touchstones,
as well as commentaries by very real celebrities. Enfield doesn’t miss
a trick here with humorous results in what is probably all-too-real life.
Norman Stanley Fletcher: Life Beyond The Box (7/04)
A mockumentary based on the life of the character played by famed comedian
Ronnie Barker in the classic 1974-77 prison comedy series Porridge.
Not A Lot Of People Know That (1/99)
Another celebrity quiz show in the Have I Got
News For You vein, with the gimmick that the players are selected
from a line-up where carrot-topped DJ Chris Evans is perpetually the odd
man out. Weird and bizarre trivia and clips are trotted out, as well as
a segment called "Get Your Socks Off" where one contestant has his feet
lowered into a substance and must identify it by feel alone.
Not Another Awards Show (1/00)
Angus Deayton hosts this compilation of the worst of awards shows.
When Gwyneth Paltrow won her Oscar last year and cried on stage she was
pilloried by British comics, presumably for blubbing on camera. I guess
the British just despise people who get emotional at less than opportune
moments.
Not Going Out (1/09)
Lee
Mack stars in this rather traditional BBC sitcom as an ice cream truck
driver who shares his London flat with the posh sister of his best
friend. Will they or won't they? Miranda Hart (Hyperdrive) plays
their amazingly clumsy housecleaner.
Not Only But Always (4/07)
TV
movie biopic of Peter Cook and Dudley Moore and how they rose from
obscurity with "Beyond The Fringe" to their highly successful BBC
sketch comedy series and Moore's (here played by Rhys Ifans) departure
for the sunnier skies of Hollywood. Rather than a straight-forward
narrative approach, their working class characters of "Pete" and "Dud"
comment on the action throughout, much as they did during their
landmark series.
Not The 9 O'Clock News (3/96)
For those Rowan Atkinson fans who only know him as Blackadder or Mr.
Bean, this vintage early 80s comedy series was how he originally rose to
fame in England. Now the BBC have re-edited the best (and non-topical)
bits which also features Pamela Stephenson, Griff Rhys-Jones, and Mel Smith.
Atkinson is a natural here and it's great to see him in ancient sketches
humiliating himself in ways that would be unheard of now.
Not With a Bang (3/91)
ITV's answer to Red Dwarf is a sitcom version of Survivors
starring Ronald Pickup and Stephen Rea (later to star in The Crying
Game) as two of only four surivivors after the world is wiped out by
a virus. Josie Lawrence is the third, along with her impotent husband,
which poses an interesting question about who's going to repopulate the
world.
A Number (8/10)
Rhys Ifans
stars in this TV Movie based on a play as a young man who finds out he
has been cloned by his father (Tom Wilkinson)--many times. And each
version is slightly different. It's a good chance for Ifans to play
variations on the same part but the production comes off a bit stagy.
NY-LON (2/06)
Slick Channel 4 transatlantic drama about a poor New York City record
store employee (Rashida Jones) and her relationship with a posh London banker (Stephen Moyer) she meets
on a trip. The story (and characters) bounce back and forth between
the two cities, often with clocks showing the time in both places.
There is a bit of narrative cheating at times when the "clocks" are wound
back to show us a part we didn't see earlier just to make things more dramatic.
But the couple is sweet, authentic locations and accents (hooray!), and
the tension of whether they can make their starcrossed romance work keep
the series engaging.
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