British TV Show Reviews "P"

Paddington Bear: The Early Years (1/03)
I bet you would never guess from the title of this program that it's actually a documentary with Stephen Fry traveling through Peru!  Ostensibly, Paddington, a famous literary creation, has origins in Peru and Fry attempts to ferret them out in this unusual travelogue.

Palin's Column (11/94)
Michael Palin continues his quest for scholarly introspection with this series documenting his trip to the Isle of Wight and reporting his encounters for the local paper.

Panto! (3/13)
Comic John Bishop gets to star in this Christmas-themed ITV TV movie about a regional DJ who gets the lead in a local panto with a collection of characters including a diva-ish soap star (Sheridan Smith). It's opening night and as you might imagine, it's a familiar comedy of errors, but all's well that ends well.

Paparazzo (11/95)
TV movie pilot on ITV chronicling the adventures of tabloid photographer Rick (EastEnder's Nick Berry) who is constantly on the trail of celebrities to shoot (preferably doing something embarrassing). Unlike most of his brethren who hang around a seedy Soho diner, Rick looks more like the beautiful people he's supposed to be filming, and of course deep-down he really has a heart-of-gold for people in need. ITV, being the Working Class's TV network, delights in showcasing Working Class Heroes regardless of their profession (last year it was garbage men and movers). Whether paparazzi qualify as a step up in quality or not remains to be seen.

Parade's End (10/12)
This HBO/BBC mini-series was adapted by Tom Stoppard based on the books by Ford Madox Ford and stars Benedict Cumberbatch (Sherlock) as Christopher Tietjens, a gentleman in pre-WWI British society.  Despite that pedigree, the whole series left me cold.  I couldn't relate or care about any of the characters even though it takes place at the same time period as Downton Abbey including the trenches of WWI.  We're to believe that Tietjens is so unappealing to women that he ends up marrying Sylvia (Rebecca Hall) a woman he meets on a train who runs off with another man, has a son with him, and then he takes her back despite the scandal.  Everyone around him including his wife, brother, and most of his friends and colleagues believe the worst lies and gossip spread about him (mostly from Sylvia's jilted lover) even though they know Tietjens is the most straight-laced Englishman who ever lived. Even a chaste relationship with a fresh-scrubbed suffragette named Valentine (Adelaide Clemens) can't make him interesting (he's far too proper to ever have an affair with her even though everyone else already thinks he has).  And serving in the war doesn't do much either, as he manages to alienate nearly everyone in the British army and get sent to the front. I'm not sure this is going to appeal to the average HBO subscriber either, despite the presence of Stephen Graham ("Boardwalk Empire's" Al Capone) as Tietjens' best friend Macmaster who courts the wife of a mad reverend (Rufus Sewell).

Paradise (1/95)
A middle-class family spends their holiday in the basement because they can't afford to go abroad. Mom is a bit nuts to start with, but soon the enforced confinement gets to everyone, particularly with their lame attempts to simulate a sunny resort somewhere. Mom is so fanatical about the neighbors not finding out about their deception that she prevents her husband from going upstairs when they hear burglars break in. Can we say, "Dysfunctional"?

The Paradise (12/12)
Charming BBC/Masterpiece produced family drama by Bill Gallagher (Lark Rise To Candleford) about a Victorian-era department store run by the single-minded Moray (Emun Elliott) who is in an on-again off-again relationship with the daughter of his banker. In to this world steps Denise (Joanna Vanderham) who rather than work for her uncle the dressmaker in his tiny shop across the road, gets a job in the Ladies Department under the stern Miss Audrey (Sarah Lancashire). But Denise is too full of ideas to be a simple shop assistant and Moray begins to take notice of them--and her.  A full cast fills out the other employees of The Paradise who also live on the premises, from the orphan boy who knows no other world, to the mysterious one-armed Jonas who always has his eye on everyone. Arthur Darvill (Rory on Doctor Who) turned up in one episode as an ambitious barber. Based on the 19th Century French novel "The Ladies' Paradise" by Emile Zola.

Paradise Heights (1/04)
Neil Morrissey (Men Behaving Badly) is one of three brothers who run a slightly-dodgy retail warehouse in this BBC comedy/drama set in Nottingham.  The show is a bit schizophrenic, part hijinks with lost snakes and romance, but another part is right out "The Sopranos" with Michael Troughton as a gangster who often gets tough (and bloody) when displeased.  Though many popular British shows have successfully mixed the light and dark elements, in Paradise Heights, the mood shifts were too jarring. Retitled The Eustace Brothers for the second season.

Paradox (3/10)
A small police unit receive images apparently sent from the future that allow them to attempt to prevent disasters if they can solve the clues contained within during this high-concept BBC adventure series.  It doesn't make a lick of sense, and the Ministry of Defence won't let them tell anyone about the images, so our heroes are left flailing around without any resources in what becomes a weekly game of Beat The Clock.  It's the "ticking clock" scenario taking to the nth degree, which is great if you like to see characters running around madly each episode as if in a competition.  It's not really drama as we know, the premise is the series.

Parents (10/12)
Silly domestic sitcom about Jenny (Sally Phillips) who after losing her high-paying London job for fighting with a co-worker, has to move her family back to Kettering to live with her parents (Tom Conti and Susie Blake). Jenny is just too much a dope and a no-talent to get work doing anything else and the audience must suffer along with her attempts to move on with her life.

Parents' Night (3/02)
Part of Channel 4's "Shockers" series, this TV movie is told via the camcorder diary of a bullied teen as he attempts to stem the harassment he receives on a daily basis at school.  He plots his revenge on camera (which at one point gets stolen by one of the bullies and we see his side of the story) and then things really spiral out of control when his mother finally confronts the students and parents one harrowing night at school.

Paris (5/95)
This Alexei Sayle sitcom (he was that "fat bastard" from The Young Ones) is set in Paris on the Left Bank during the 1930s. Sayle is a frustrated artist who does all the typical things: goes to the cafe a lot, unsuccessfully tries to sell his paintings, and finally finds fame and fortune only after he is committed to an insane asylum. Not brilliant stuff, especially if you don't find anything French particularly amusing.

Party Animals (7/08)
BBC political drama focuses on the personal lives of the researchers and assistants who help MPs get through their days. We see both sides, Tory and Labour, as well as the political consultants both rely on. Future Timelord Matt Smith played Danny, the Labour researcher, in one of his early TV roles.

The Passing Bells (12/14)
In the run-up to Remembrance Day (what the British call Veteran's Day), especially with it being the 100th anniversary of the start of the Great War, the BBC ran this five-part mini-series by Tony Jordan over a single week that followed two young men who join up as soon as the war is declared and each episode takes place in a succeeding year until 1918. The big twist is at the start we just assume both Thomas and Michael are British until 11 minutes in we discover Michael, the farmer's son, is in Quedlinburg, Germany and not English at all!  Ho ho, very clever Mr Jordan! Of course both boys discover that on each side, war is hell, and they cross paths a few times until a confrontation that occurs moments before the armistice is declared in 1918.  Viewers who couldn't take the grim ending of "Blackadder Goes Forth" are advised to steer clear of the finale here. The series was a co-production with Polish television, where much of it was filmed, and involves a subplot involving Thomas' relationship with a Polish nurse.

The Passion (1/00)
Three part BBC drama set in a small village full of characters that puts on an elaborate passion play annually but this year (over the protest of some people) has hired an outsider (a "grockle" they call them) to play Jesus. Young and inexperienced, nevertheless the actor they get has that Savior-like quality, particularly to a housewife (Our Friends In The North's Gina McKee) who is strongly attracted to him. Despite the large cast, each person in the village is nicely developed, especially the petty rivalries and politics that afflict a place where everyone knows everyone else. BBC America will be running this on February 14th.

Passion Killers (1/00)
Ben Miller (half of the Armstrong and Miller duo) stars as a loser in love who gets to turn the tables when he is accidentally hired by a sexy private detective to help her prove clients are cheating on their partners in this ITV pilot. First she has to teach him how to pick up women effortless, and after a few false starts, he's ready to entrap anyone. Clearly he's taken by his boss but she thinks his attempts to be affectionate are just more "practicing" his techniques.

Pat & Cabbage (11/13)
Barbara Flynn and Cherie Lunghi play lifelong middle-aged friends in this ITV comedy. Pat (Flynn) is a widow with two grown daughters, while Cabbage (Lunghi) is a free-spirit former model who got her nickname from a famous photo she once posed for. Pat takes a shine to another parent (Peter Davison) where her grandson attends school, but it's been so long she's forgotten how to court properly. It's mostly about women in their 50s getting into hijinks, which I suppose is harmless enough.

Patrick Kielty Almost Live (3/00)
What are the odds the best two dynamic chat shows in Britain would be hosted by Irishmen? Graham Norton still holds the title, but stand-up comic Patrick Kielty (actually broadcasting from Belfast) has enough gimmicks and gags to maintain interest, plus amusing guests such as Brian Blessed (who demonstrates how NOT to act in a science fiction film), add up to entertaining and easy-to-please half hours.

Paul Calf's Video Diary(4/94)
A one-shot comedy about three youths in the midlands on New Year's Eve recording their adventures with a video camera. Remarkably staged and quite revealing (they really are gits), but quite funny in its revelations about the ordinary lives of these three guys. One bizarre bit is the hero's sister is played by Steve Coogan in drag. It's done incredibly straight until the very end when "she" picks someone up at a party to take home and asks if he's seen The Crying Game. Go figure.

Paul Merton's Life of Comedy (9/95)
Regrettably, Paul Merton hasn't much exposure in this country, which is a shame as his delivery (especially on the current-affairs game-show Have I Got News For You) is priceless. In this series we supposedly relive Paul's early exposure to television while growing up in a small council flat, interspersed with many classic comedy clips from British television.

Paul Merton: The Series (9/93)
One of the few comedians confident (or popular) enough to get his ownshow without some kind of double-act. Merton is best known for always winning Have I Got News For You even when teamed up with a tub of lard against Ian Hislop (a classic episode from 1993 - the tub of lard was a last minute substitution when Roy Hattersly cancelled just before taping). On his own, Merton fares just as well, observing life from his newspaper stand and in various sketches. Some good yuks and it's nice to see someone who doesn't rely on a partner. (See also Galton & Simpsons for further Paul Merton appearances)

Paul O'Grady's America (3/02)
O'Grady is well known in Britain for his alter ego, Lily Savage, a drag queen with a caustic mouth who has hosted "Blankity Blank" on ITV.  I assume O'Grady used his leverage with the network to make this vanity project where he filmed his trip across America, stopping off in famous US cities.  What's amazing is he makes no attempt to achieve "show biz gloss" and frequently is seen drunk, whining, or making diatribes not often spoken by celebrities.  But clearly he doesn't care, and it's always amusing to see a foreign perspective on our country, even obviously phoney places like Hollywood.

Peaky Blinders (11/13)
Cillian Murphy stars in this intense and stylish BBC drama series set in 1920 Birmingham. He plays Thomas Shelby, a young man back from the trenches of WWI and now the ambitious family patriarch of gangsters specializing in illegal gambling. Their gang gets their name from their trademark caps which have razor blades sewn in which they use as weapons in fights against rivals. As Shelby is building his empire across the city he stumbles upon a cache of weapons which he promptly steals. This brings the attention of not only the IRA who are keen to get their hands on the guns for their incipient revolution in Ireland, but also Winston Churchill who deploys a ruthless police inspector (Sam Neill) with orders to recover the weapons at any cost. The inspector's secret weapon in his cat-and-mouse game with Shelby is Grace (Annabelle Wallis), an Irish undercover agent posing as a barmaid at his local.  Shelby also is dealing with a war with a rival gypsy gang, trying to do business with the syndicate that controls the race tracks, and keeping his own family in check including a sister who is in love with a Communist (Iddo Goldberg), a matriarch aunt (Helen McCrory) and several brothers.  Steven Knight wrote the series which is stunningly realized by director Otto Bathurst, every episode looks like a movie. The Weinstein Company has already picked up US distribution rights for three seasons of Peaky Blinders, clearly putting a great deal of faith in this period drama.

Peep Show (5/04)
Channel 4 late night comedy starring David Mitchell and Robert Webb (Daydream Believers) and shot in a point-of-view style.  They play two idiot flatmates and not only do we see what they do during a normal day but can hear their moronic thoughts as they try to pick up girls, look cool, or just avoid neighborhood bullies.

Peggy Su! (1/99)
BBC TV movie set in Liverpool in the 1960s about an immigrant Chinese family running a laundry and the efforts of their father (Burt Kwouk, from the Pink Panther movies) to marry off his ugly-duckling daughter, Peggy. He's just arrived from Hong Kong with a Peggy's cousin, a nerdy fellow in glasses who can't even run a washer, while Peggy would rather marry the rich son of a Chinese restauranteur who is wooing her. A charming bit of nostalgic fluff that goes down easily.

Penelope, Princess of Pets (8/10)
This Channel 4 "Comedy Lab" pilot stars Kristen Schaal as an American visiting Britain who must defeat an evil MP (Julian Barrett, The Mighty Boosh) before he destroys the world in a year.  Penelope is able to talk to animals (mostly done using obvious puppets--the low budget is part of the charm here) who help her in her quest.  It's completely over the top and silly but Schaal is a winning presence and the gags are funny. 

People Like Us (7/00)
Parody of "fly-on-the-wall" docu-soaps, with an unseen interviewer looking at ordinary working class folks who are just as completely clueless as he is.  Like This Is David Lander, it appears to be on the up-and-up, with no tell-tale laughtrack, but listen closely to what it going on (in this BBC series based on a radio show of the same name) and you'll realize it's all a put on.

The Perfect Blue (3/98)
Two happy couples both heading towards matrimony are suddenly derailed when an old school flame is rekindled between two of them in this BBC TV Movie (part of their "Love Bites" season). There is a racial angle, but what's really at the heart of this is whether the old lovers will do the right thing and ignore the past and marry their intended spouses, or screw things up for everyone.

A Perfect State (7/97)
The small village of Flatby discovers a loophole in the law and decides to declare itself independent of England in this BBC comedy. Of course the British government doesn't take this lying down and in each episode its civil servants scheme with ways to get Flatby back into the fold. But the Flatbyans (as they call themselves), despite being a bit odd themselves, manage to foil the plots against them and remain independent. Plenty of stock characters but the familiar faces (including Matthew Cottle from Game On and Trevor Cooper from Star Cops) make the whole thing go down nicely.

Perfect Strangers (3/02)
A huge family reunion in a hotel is the setting for this three-part BBC drama by Stephen Poliakoff (Shooting The Past) where the black sheep division headed by Michael Gambon (The Singing Detective) re-encounter the more successful relatives and uncover old truths.  Poliakoff, as evidenced by his last drama, is fascinated by the power of photographs and still images, and again uses them here as a motif to illustrate the past and its effect on his characters.  It also reunites him with "Shooting" co-stars Lindsay Duncan and  Timothy Spall as other family members.

Perfect World (3/02)
Paul Kaye stars as Bob Slade, a middle-management executive who schemes, lies, and has never done a day's work in his life.  Needless to say, he's a huge success in this over-the-top BBC office comedy.  Nina Wadia (Goodness Gracious Me) plays his rival forever trying to trip him up (only she is Wile E. Coyote to his Roadrunner; Bob always gets away in the end), and they both work for a Marketing Director who is stark raving mad.  The fun in this series is seeing a nasty piece of work (whose comic forbearers include Rowan Atkinson's Blackadder and Rik Mayall's Alan B'Stard) plot and get the best of everyone.  In Bob's "Perfect World," nice guys do finish last.

The Persuasionists (8/10)
Adam Buxton, Iain Lee, and Daisy Haggard star in this parody of the hip and trendy advertising biz with Buxton as the uncool one trying to keep up with his colleagues and insane Australian boss.  The series is a bit surreal at times, particularly in an episode where Emma (Haggard) is put in charge as Head of Handsomeness and banishes all the ugly people (or those who run afoul of her) to the boiler room.  I like the actors, so I enjoyed the series although it was considered a bit of a failure.

The Peter Principle (1/96)
Jim Broadbent stars as a Gordon Brittas-like bank manager who is utterly incompetent and constantly getting into trouble. However, whereas Brittas' heart is in the right place even though disaster follows him like a cloud, "Peter" is just a moron and brown-noser. It's hard to have any sympathy for him. Renamed "The Boss" in America (perhaps because it sounded like "The Office").

The Peter Serafinowicz Show (1/09)
The impressionist and comic (with the unpronounceable name) gets his own BBC-2 series and proceeds to run with it, doing sketch after sketch, each with a different accent and costume.  Hilarious parodies of Acting Workshops gives him a chance to do various famous movie stars, and other characters include a rotund TV pitchman, an android TV presenter, James Bond and various types of phone chat lines.  

Pete Versus Life (8/10)
Rafe Spall stars as sportswriter Pete in this Channel 4 comedy that uses the gimmick of sports commentators narrating his life, commenting on the action, and comparing his performance to previous outings.  Pete's biggest problem though is Pete, he's one of those characters who relies far too much on shading the truth and it inevitably bites him on the ass in the most humiliating way possible when he's found out.  To be fair, his nemesis, his best friend's fiancee is truly annoying to the extreme and has a rather creepy relationship with her own brother, another situation which Pete fails to deal with well and blows up in his face.  Poor guy, will he ever learn?

The Phoenix and the Carpet (1/98)
Six part children's BBC drama (featuring the characters first seen in The Psammead) about some Edwardian siblings who discover an ancient bird (voice of David Suchet) as well as a magical carpet which they manage to lose track of in nearly every episode! How incompetent can you get? Still, the production is very well mounted with an excellent musical score.

Philip K Dick--A Day in the Afterlife (7/94)
A documentary about the celebrated SF writer, this features interviews with most of Dicks' ex-wives, agents, friends, and professional admirers such as Terry Gilliam, Fay Weldon and Elvis Costello. First rate, although unfortunately I'm missing the ending.

Pie in the Sky (7/96)
It could almost be a "Smith and Jones" parody: "The Chef Detective." But that's exactly what this BBC mystery series starring portly Richard Griffiths features: a detective inspector who also runs a restaurant. It's played completely straight (with some nice supporting performances including Samantha Janus (Game On) as a waitress) but you have to wonder how far the BBC will go to present original mysteries.

The Piglet Files (8/91)
Nicholas Lyndhurst sitcom parody of spy shows, with Clive Francis as his handler. Two seasons ran, 14 episodes in total.

Pilgrims Rest (11/97)
Lame BBC sitcom about a cafe on a forgotten highway and the "characters" who seem to always be hanging around. The most amusing thing was in the pilot where various outages on the letters "PILGRIMS RESTAURANT" neon sign spelled out cute phrases.

The Pilot Show (7/04)
Channel 4 show where minor British celebrities are conned into believing the worst ideas ever as potential TV shows they could participate in.  Maybe some folks just want to cling on to fame, no matter how tenuous, or maybe it's just the British good manners not to laugh in the face of a producer when you need a job, no matter how naff an idea they might have for you.

Pinch of Snuff, A (7/94)
Comics Hale and Pace (seen briefly in the Dr Who episode "Survival") try their hand at drama in this three part mystery about murder at an exclusive gentlemen's club. I wouldn't be at all surprised to see this pop up on "Mystery" sometime.

Planet Mirth (11/97)
Comedy sketches with a science fiction bent on this ITV series that is a co-production with the Sci-Fi Channel. Americans will never understand the arcane references to Barry Norman, Richard and Judy, and Top Gear which are essential if you are going to appreciate the humor involved. A running sketch involves a Venusian girl with three arms who was accidentally left on earth and has grown up in a foster home in London to become the Saddest Person On the Planet. Doctor Who of course gets a brief drubbing (mostly bad title puns), but I don't see this series succeeding here in the States because of the cultural differences.

Plastic Man (1/00)
Two part ITV drama with John Thaw (Inspector Morse) doing his patented gruff-old-dog-with-a-heart-of-gold thing, this time as plastic surgeon trying to cope with his patients and professional children. His son is in training to be a doctor but was involved with a crime, the victim of which is one of Thaw's patients.

Playhouse Presents (6/12)
Sky TV commissioned a series of half hour shorts each starring various big name stars (including David Tennant, Emma Thompson, Russell Tovey, Stephen Fry, and Alison Steadman). Essentially these are one-act plays, and with a variety of different material, if you don't like one week's offerings, you can come back next week to try again.  My favorite one was "City Hall" written and co-starring Rhashan Stone about Dorothy (Olivia Williams, "Dollhouse"), the first female mayor of London whose working class roots clash with her rival, a posh career politician (Martin Shaw). Dorothy's back story and vulnerability (kept afloat only by her advisor played by Stone) make her an instantly compelling character and when the story ends with a caption reading "The Beginning," we can only hope that Sky commissions an entire series with these characters. 

(8/14)
A new series of short dramas from Sky included "The Dog Thrower" with Matthew Perry who tries to take up a new fad to impress a girl; "Nosferatu in Love" with Mark Strong as an actor who never breaks character even when his wife leaves him; and "Foxtrot" with Billy Piper as one of two stripper who kidnap an abusive customer but get more than they bargained for.

Playing The Field (7/98)
BBC drama series about a woman's amateur soccer team. Set in the North of England, we meet the team as Theresa is about to get married, with most of her teammates as bridesmaids. It doesn't go quite as expected but we are quickly introduced to the different women who come from all walks of life. And we discover that Theresa's sister Jo, the best player on the team, is actually her daughter she had when she was 15 and forced by her mother to disavow. Each episode focuses on a different character, with a running storyline about the team's run for the championship. Affairs are conducted, secrets revealed, friendships tested, and oh yes, there's a game played each week. Solid material, nicely acted, with men reduced to mere supporting characters pretty much.

Pleasure (5/95)
An Alan Bleasdale movie, this one set in France about a no-talent writer who places a personal ad and attracts the attention of a bored married housewife. He tells her he is a mystery bandit that has been striking Paris, and she becomes even more excited. Together they make a big score, but then he dumps her, she is thrown out by her husband, turns to prostitution and then gets her own form of revenge on the writer.

Pleasureland (7/04)
Part of Channel 4's "Adult at 14" season, this TV movie about a schoolgirl coming of age and discovering sex among her peers is as grim and raw as it gets.  No one likes to be reminded of those times, although if you had a teenage daughter, you could do worse than having her see this powerful film.

Plebs (6/13)
ITV2 sitcom set in Rome 27 B.C. about three dopey lads trying to live their mundane lives in the empire. Marcus (Tom Rosenthal) and Stylax (Joel Fry) are employed scribes working at a medium-sized company who live together along with their slave Grumio (Ryan Sampson). They want what all young men have wanted for ages, namely to get laid, particularly Marcus who pines after his beautiful neighbor Cynthia.  Employing some rather impressive sets (leftover from another production perhaps?) and some CGI to fill in the buildings, it looks slick and works about as well as a series focusing on three idiots, regardless of the era, can do. 

Plotlands (9/97)
BBC drama series set in 1922 as a woman takes her two daughters and spends her last five pounds to buy her own "bit of England," a plot in a field with just a tent. Her fellow neighbors are similarly down-and-out, trying to survive in the middle of nowhere but eventually surviving adversity to form a sense of community.

Police 2020 (9/97)
Futuristic police drama that is very matter-of-fact. If you were to tape an episode of The Bill 20 years from now it would probably look very similar to this ITV movie pilot. Technology is not trotted out to the viewer as any big deal, but used in the manner that a radio or gun would be today. A hostage situation at an apartment block full of Russian refugees sheds light on one man's torment (Keith Barron) and Britain as a whole if certain trends are borne out.

Politically Incorrect Night (9/98)
BBC-2 dedicated an entire evening to all things un-PC, including various celebrities singing the praises of unfashionable people: Margaret Thatcher, Oliver Reed, Sam Kinison; a collection of incredibly sexist songs; and a documentary, "One Million Years PC" chronically the history of racism and sexism on British TV including the amazing fact that The Black and White Minstrel Show (complete with black-faced white performers) ran until 1978 on the BBC! The evening finished with a screening of an On The Busses movie, based on the 70s sitcom (which in itself, owes a lot to the Carry On films).

The Politician's Husband (6/13)
David Tennant gives a tense performance as Aiden Hoynes, a too-slick-for-his-own-good part of a husband-and-wife MP couple (along with Emily Watson as Freya) who begins this three-part BBC mini-series attempting to challenge the leadership of the party only to have it blow up in his face when he's betrayed by his best friend (Ed Stoppard). Relegated to the back benches, he must watch Freya rise in power to the cabinet and condemn his policies publicly in order to remain in favor. We're meant to sympathize with Aiden because he cares for his autistic son and hangs with his father, but he is a politician through-and-through and it kills him to see his wife get all the accomplishments he felt were owed to him.  A fascinating look at power, jealousy and corruption that ends with a real twist.

Pond Life (11/97)
Channel 4 animated series about a high-strung young woman who is constantly at odd with life. The title refers to her last name.

The Pooters (3/03)
An oddball Channel 4 Comedy Lab pilot about a book discussion group.  Somehow they manage to get noted TV astronomer Patrick Moore to appear (he seems game for anything), but the whole thing is played completely straight.

Porterhouse Blue (3/93)
Four-part drama, the title describing the condition of what happens to the Master of one of the Inns of Court when he dies of a heart attack "in his own bed as he should, not in a hospital." Tradition IS the watchword at this fictional school, but the new Master (Ian Richardson) appointed by the Prime Minister thinks tradition is bollocks and immediately sets out to reform the school, much to the horror of everyone, particularly the Porter (David Jason). Meanwhile, a graduate student (John Sessions) is slowly going bonkers and having sexual fantasies about his charwoman. A good story, though it helps to understand the traditions underlying it.

Posh Nosh (3/04)
A parody of cooking shows with Arabella Weir (The Fast Show) and Richard E. Grant as an upper class couple showing off their kitchen and recipes and making absurd versions of food in 10 minute segments.

Pramface (6/12)
BBC3 comedy series about Jamie, an awkward schoolboy who manages to have sex with posh girl Laura at a party and gets her pregnant.  Laura wants to attend university but with a baby on the way and a 16 year kid as the father, life is suddenly turned upside down. Jamie's best mates are a girl who fancies him but he doesn't notice, and his horny friend who constantly puts himself in the most humiliating circumstances in order to get laid.  Meanwhile, Laura's parents (Angus Deayton and Anna Chancellor) have their own marriage crisis but it all ends pretty well for everyone by the end.

Prehistoric Park (4/08)
What if Jurassic Park were real?  And filled with creatures scooped up from other times by unspecified time technology?  That's the premise in this "documentary" series that chronicles the capturing of extremely exotic (and now extinct) creatures that are the best the computer graphics (and big props) can buy.  No doubt, dinosaur-mad kids are asking even now if they can somehow visit the park. 

The Preventers (5/97)
Hilarious spoof of old 60s ITV action series, in particular The Champions (in fact the star of that series, William Gaunt, appears as their boss here). This ITV pilot by the stars of Naked Video has a trio of 60s-throwback secret agents (shades of "Austin Powers"!) battle an evil Lord, all the while sending up cliches about that era, with clever sight gags (my favorite: the "drumbeat transition" used to cut between scenes ala Captain Scarlet, only this time they mistime it and end up stuck at the original scene on an actor looking around uncomfortably).

Prey (6/14)
Three-part ITV drama about a police detective (John Simm) who is framed for the murder of his wife and son, and goes on the run to prove his innocence. Along the way he will have to turn enemies into allies and a few friends will turn into enemies (it's a bit like watching a British version of "24" except without the torture scenes). And like Jack Bauer, Simm is the clock that keeps on ticking no matter how many times he is shot, beat up, or hit by a car.

Primeval (7/08)
ITV's answer to Doctor Who features a group of university scientists working with the government to investigate time rifts that allow prehistoric creatures to venture into modern-day London. The first episode is terrible, featuring a young boy who nobody believes is being stalked by a dinosaur in his suburban neighborhood (and befriends a cute little lizard), but subsequent episodes ditch the kiddie angle and things get more serious, particularly when the head scientist discovers his long-thought dead wife has been using the rifts to live in the past. The monster effects are done by the same folks who did Walking With Dinosaurs and the production values are uniformly high.

A Prince Among Men (11/97)
Chris Barrie (Red Dwarf) stars as Gary Prince, a working class former championship footballer who has cashed in on his name and built a business empire in this BBC comedy. He is surrounded by dim secretaries, an upper class business manager, a publican from "the old days," and his intelligent German wife. Gary is less catastrophe-prone than Gordon Brittas, but his egotism can remind you of Arnold Rimmer if he had managed to ever capitalize on a single talent. This new franchise in the Barrie "Empire" is still finding its way during this first season, but should, like his other vehicles, have a long run based on his immense talent for doing likable yet annoying characters.

Prisoners Wives (2/12)
The lives of the women who visit their men in prison is the setting of this dramatic BBC series.  Franny (Polly Walker) is the rich, spoiled wife of a gangster (Iain Glen) serving time, pregnant Gemma believes her boyfriend (Jonas Armstrong) is innocent while he awaits his trial, Lou hasn’t told her son that their dad is in prison even as she continues to deal drugs on the outside, and Harriet (Pippa Haywood) is an over protective mum whose son got busted for possession of a handgun.  Things get complicated of course, the police seize all of Franny’s property because of her husband’s activities, Gemma discovers evidence against her boyfriend, and high-strung Harriet is forced to smuggle drugs in so her son won’t be beaten inside.  What lengths will these women do for their men is the big question in this series, with some surprising conclusions.

The Private Life of Samuel Pepys (7/04)
Steve Coogan stars as the famous 17th Century London diarist in a story told in flashback at his trial for treason while he was with the Admiralty.  Though Pepys loved his French wife, he was quite the womanizer, and made a lot of enemies for always making it to the top whether during Cromwell's domination or the subsequent Restoration.  Coogan plays Pepys in a similar style as his breakout role in "24 Hour Party People" making asides to the camera (his funniest comes during the Great Fire of London in 1666 when someone points off camera that the entire city is burning and Coogan assures us, "You'll just have to take my word for it," thus acknowledging the low budget of this entertaining costume drama).

Privates (3/13)
The BBC regularly schedules original dramas set in the mid-Century in a Monday-to-Friday afternoon slot, even though they are perfectly appropriate for prime time.  I guess nobody cares about the 1950s any more. In this five-episode series set in November 1960 conscription is coming to an end in the British Army and the last class of involuntary recruits are forced together in a familiar basic training setting.  One way posh boys could get out of service was by running for parliament, which one attempts to do, only to see a middle class rival try the same trick. We also see the drama between a sergeant major having an affair with his commanding officer's wife.

The Promise (3/11)
This Channel 4 mini-series was everything I like about well-made British drama.  It had interesting characters, you were invested in their story and what happened to them, every scene made you want to know what happened next, there was mystery, politics, and history all showcased in a first-class production shot on location.  Erin Matthews (Claire Foy) is a British teenager who decides to spend her gap year in Israel to support her Jewish friend Eliza during Eliza's national service.  Erin's grandfather is near death and she ends up with his diary that he kept while serving in the British army in Palestine after the war.  While Erin explores the foreign culture of the Israeli-Palestinian conflict as it exists today, we're shown a parallel story of Sgt. Len Matthews, her grandfather, trying to maintain peace in 1940s Palestine while Jewish militants were fighting to form Israel. It's a great dramatic device to let the audience into this world from the point of view of the British, both then and now.  Erin goes on her own voyage of discovery as she continues to read the diary and tries to find some of the people her grandfather knew and interacted with six decades earlier. This ambitious drama by writer-director Peter Kosminksy was an international co-production with a lot of money on screen recreating Palestine of the 1940s as well as modern scenes in the occupied territories.  As an outsider who just wants to know what is happening, Erin is able to go places and ask questions that natives never would.  It was interesting to see the British perspective on the history of the middle-east, seeing as they were on the front lines during the messy formation of Israel--a lot of Sgt. Matthews comrades are killed along the way--as well as today.  While some people might be put off by the subject matter in The Promise, to me it's a first-rate drama that although fiction takes place in an all-too real and troubled land.

Promoted To Glory (7/04)
ITV TV movie with Ken Stott as Mike, a wino who seeks redemption with Annie, a Salvation Army worker.  After being hit by a bus, he turns up at her rehab facility much to the annoyance of her Army fiancee Nigel played by perennial loser Kevin Whately (Inspector Morse).  Mike eventually sobers up and decides the only way to earn Annie's love is to join the Army with her.  Will she succumb to his charms or stick with Nigel?  I have to say though, as a Christmas-oriented special, this has the most cynical ending I've ever witnessed in my life.  It's like killing Jimmy Stewart halfway through "It's a Wonderful Life."  I'm not knocking it, mind you, but talk about souring the holiday cheer.  You'd never see anything remotely like this on American TV at Christmastime in a million years.

Psychos (1/00)
Channel 4 drama series that basically is ER set in a Glasgow psychiatric hospital. As usual in these sorts of shows, the doctors are usually more screwed up than their patients, particularly one loose cannon who becomes increasingly unglued as he skips his lithium doses. It was a bit too grim and downmarket for my tastes.

Psychoville (3/10)
Two of the League of Gentlemen (Reese Shearsmith and Steve Pemberton) reteam for this bizarre BBC comedy series following a group of seemingly unrelated, and surreal, characters (including Dawn French as nurse who thinks her doll is a real baby) linked by a mysterious blackmailer.  As usual, Shearsmith and Pemberton play a number of the characters, and in one episode are joined by Mark Gatiss in an amazing one-take homage to Alfred Hitchcock's "Rope." Filled with dwarves, creepy old men, and eBay obsessed Siamese-twins, clearly they are not aiming for the mainstream audience here, but it's good clean black-comedy fun.

Psychobitches (6/13)
A spin-off of Sky Arts' Playhouse Presents series, with Rebecca Front as the therapist to a series of historically famous women all played by big name comics (Julia Davis, Katy Brand, Samantha Spiro and Mark Gatiss among others). It's a format that allows each of the characters to do their crazy little bit of business and then quickly cut to the next. Often it's just a triumph of costuming and makeup, but a few stand out like the Bronte Sisters (portrayed as three children on a couch together who hate each other), and Sigmund Freud's mother.  

The Psychopath Next Door (11/13)
In the first of a series of pilots on Sky Living, Anna Friel plays the title character, Eve Wright, who has apparently stolen the identity of a therapist, moves onto a suburban street, and begins wreaking havoc with her new neighbors. The first episode is all set-up, it would be in subsequent stories whether we see if she succeeds like Dexter, or finally gets her comeuppance.

Public Enemies (2/12)
Daniel Mays stars as a parolee who gets inside the head of Paula his probation officer (Anna Friel) in this BBC mini-series. He maintains his innocence but by the Catch-22 of the system, if he won’t accept his guilt and punishment then he’s a danger to society and thus not eligible for parole. Paula has own traumas to deal with (one of her parolees killed someone on release) and pressure from her bosses to conform to the system.  Mays is great at this type of character, he just looks like a guilty liar, so that you really have to pay attention to hear what he is saying.

Pulse (8/10)
Claire Foy stars in this BBC3 pilot written by Paul Cornell as an intern who starts her residency at a hospital where Creepy Things are afoot.  A patient with recurring cancer is being secretly experimented on by hospital staff, and it's up to our plucky young heroine to sniff out the truth.  Extremely bloody and gory, not for the faint of heart, this sort of set-up is usually better for in a feature film (like the similar "Coma") rather than an ongoing series.

Punt and Dennis (1/96)
Comedy double act with the usual sketches and music (one episode featured the (yes, popular) Australian act "Bjorn Again" who do old ABBA songs). Includes elaborate parodies of popular series on UK television including Bugs (making much hay over the fact that everyone in the cast is a refugee from soap operas) and The X-Files.

Puppy Love (9/16)
Low-key but funny series about the relationship between a coarse caravan-living dog trainer (Joanna Scanlan) and a posh dog owner (Vicki Pepperdine) who gets no respect from her dog. Scanlan and Pepperdine also wrote the series and delight in getting the two character's lives entangled as much as possible and (pardon the expression) watching the fur fly.

Pure Wickedness (7/00)
Kevin Whately (Peak Practice, Inspector Morse) again sheds his nice guy persona as a doctor too devoted to work to notice his wife having an affair with the window cleaner.  The BBC drama written by Lucy Gannon takes the relationship to its natural conclusion, particular with the children who are involved.