Previous List | Back to Homepage | Next List
Dates refer to when review was written
Obsessions (7/98)
A series of four TV movies by the BBC focusing on this theme, the first,
Getting
Hurt, written by Andrew Davies based on his novel, features a lawyer
who falls for a seedy client's wife with disastrous results. A really great
score backs an intense story with B&D overtones, and plenty of sex
and nudity. In Stand and Deliver, Phil Daniels (Sunnyside
Farm) plays a London stand-up comic who arrives in Glasgow for
a gig at a second-rate club, but lets his gambling habit get the best of
him. Not quite as tragic as Getting Hurt, and although Daniel's
character never learns much, at least love conquers all for some of the
people around him. The seemingly nightmarish Guiltrip is a day-in-the-life
of a small-town Irish couple with a baby. Nothing is as it seems as flashbacks
continually give us information we previously didn't know (which is a bit
of a cheat, isn't it?). The husband is an overbearing dictator, treating
his wife like she was one of the men under his Army command. He has a long
list of rules, which she is forced to keep track of in a book, in order
he can run her life. But as events are made clear, we see they both have
secrets to hide, although in his case they are the result of an incredibly
awful and violent act, not revealed until the very end. Anorak of Fire
concludes things on a lighter note, with a look at that peculiar British
institution, the trainspotter. These are young men with train fetishes
who stand on platforms recording the numbers of passing trains. Known for
their unfashionable (at least in Britain) anorak jackets, the word "anorak"
itself has become a pejorative for anyone with an obsessive hobby. In Anorak
of Fire, loosely based on a one-man stage show I saw in London in 1993,
we meet trainspotter Gus, his two (and only) friends, and his family who
are all as delightfully daft as he is. His father's only concern is growing
leeks, while his mother tries in earnest to obey the proper rituals in
order to join a woman's society. Meanwhile, Gus's sister makes a bet with
her friend Natalie that she won't sleep with him, but it backfires and
they fall in love. Gus seemingly gives up his interest in trains (and symbolically
burns his anorak - hence the title) but finds his past catching up with
him.
Ocean Odyssey (4/08)
BBC
documentary series that chronicles the entire life cycle of a
(fictitious) 80-year-old whale. Using computer graphics, this "Forrest
Gump" of whales encounters major oceanic events throughout its life,
with background information cleverly worked into all the re-creations.
Oddbods (1/99)
Comedy double-act Norman Hale and Gareth Pace have been poached by
the BBC from ITV and given a prime-time spot and the opportunity to do
more family-oriented material. In this first effort, they play silent characters
Nobby and Ginge, two well-meaning men who get into comic misadventures.
By attempting to widen their audience Hale and Pace somewhat dilute their
material and appeal but it's a harmless time passer.
The Office (1/97)
Our local video club's favorite madman, Robert
Lindsay, stars in this failed ITV pilot about an office executive who
gets in deeper and deeper scrapes. On an important evaluation day with
his new female boss, Lindsay manages to lose all his clothes in her office,
attempts to impersonate a nonexistent Australian brother, and ends up in
drag. All in 30 minutes. Lindsay as usual is brilliant at this sort of
zaniness but shown during the dog days of summer, this pilot is probably
all we'll ever see of this show.
The Office (3/02)
Ricky Gervais co-wrote and directed this parody of fly-on-the-wall
documentaries (also known as "docu-soaps" in the UK) about a dysfunctional
office headed by the clueless Gervais. He constantly plays to the
camera (many ordinary people have been catapulted to stardom in real docu-soaps)
but of course he is revealed to us to be a no-talent with the worst managerial
skills ever. One has to be really familiar with this genre to appreciate
the dead-pan (and laughtrack-less) style being done here, although Gervais
clearly is playing a perfect example of the Peter Principle at work.
(7/04)
The acclaimed cult BBC comedy series (and American critical darling)
comes to an end with a two-part finale set at Christmas that picks up several
years after the events in the original two seasons. David Brent (Ricky
Gervais) was of course let go and now works as a freelance salesman and
does gigs at night trying to cling on to his small sliver of fame (or infamy),
while continuing to "drop in" at his old place of employment. Tim
(Martin Freeman) has a new annoying workmate, a pregnant woman, while Gareth
is still just as clueless as the new office boss. Meanwhile in Florida,
all is not perfect with Dawn's life, and the documentary crew intervene
by sending her back to Britain for a fateful reunion with Tim.
Office Gossip (1/02)
After some turgid office comedies in recent years (including Is
It Legal?) it's nice when one gets it right. This BBC series
stars Pauline Quirk (Birds of a Feather) as the capable secretary
to feckless toy executive Robert Daws (Outside
Edge), and working alongside young sharpy Neil Stuke (Game
On) who's also having an affair with his boss (The
Brittas Empire's Pippa Haywood). The situations aren't too
broad, and Daws is allowed to be a bit less irritating than he's usually
typecast. I found it good for a half hour's worth of laughs each
week.
Oh Doctor Beeching!(6/95)
BBC comedy pilot by the team that did You Rang,
M'Lord? and Hi-Di-Hi including most of the same actors.
A minor branch line station in the 1960s prepares to receive the new Station
Master (Jeffrey Holland) just as word arrives that Doctor Beeching is about
to nationalize the railways (this historic act closed many branch lines
throughout England and eventually led to British Rail as we know it today).
I personally like these kind of comedies where most of the jokes come from
catch-phrases the characters repeat week after week. Obviously, in a pilot,
there was no chance to capitalize on this gag yet.
(1/97)
Now a regular BBC comedy series. A lot of the humor is predictable
(or based on a running joke with each character) but I enjoy these historical
sitcoms, poised as they are on the brink of well-known social changes (You
Rang, M'Lord? was set in an upper class house just at the end of the
1920s). The series theme song, based on a music hall tune at the time,
pretty much explains the entire series: "Oh Doctor Beeching, what have
you done?/ There once were lots of trains to catch, but soon there will
be none/ I'll have to buy a bike because I can't afford a car/ Oh Doctor
Beeching, what a naughty man you are!"
Oktober (9/98)
Stephen Tompkinson (Ballykissangel)
stars in this three-part ITV thriller as a mild-mannered teacher living
in Switzerland who becomes the subject of an experimental drug test being
conducted by a ruthless multinational pharmaceutical company. His subconscious
is now linked with those of a ward full of catatonic Russian soldiers who
were also experimented on, and he must run for his life to stay one step
ahead of the people chasing him. Written and directed by Stephen Gallagher,
based on his novel, Tompkinson eventually turns the tables on his pursuers
and metes out their just desserts, in this slick, filmed-on-location production.
Old Flames (8/91)
BBC TV Movie with Stephen Fry as a successful attorney whose life falls
to shambles just as everyone else he attended public school with has. Is
it a conspiracy, or just blackmail?
The Old Guys (3/10)
Surprisingly
funny BBC sitcom (written by some of the same folks behind The Thick
of It and Peep Show) starring Clive Swift and Roger Lloyd Pack as two retirees
sharing a house, and their misadventures. Jane Asher is their sexy
neighbor (Joanna Lumley must not have been available) and Katherine
Parkinson plays Lloyd Pack's useless daughter. I thought it all was
quite clever, Swift and Lloyd Pack are both comedy veterans who know
how to get a laugh from every line.
Old Jack's Boat (3/13)
This
children's TV series is similar to the long-running Jackanory, with
someone basically telling a story. Here, modern digital effects are
combined with "old salt" Bernard Cribbins as the titular character, who
lives in a small fishing village, and hangs out on his boat telling his
dog children's stories. It's a charming conceit, and it looks like the
BBC spent some money on it.
Old New World (1/02)
Lucinda Lambton (One Foot In The Past)
brings her unique personality and love for all things historical to this
BBC documentary series as she crisscrosses the United States in search
of wonderful buildings, institutions, and people that most Americans have
probably never heard of. In one episode, she does some genealogy
and discovers she is related to Mark Twain!
O Mary, This London (7/94)
Three young people from Ireland crash London in order for one of them
to get an abortion (illegal at home). There they find despair, homelessness,
and in one case, death. It's tough to be Irish and unskilled in England,
and this BBC movie doesn't gloss over that fact.
The Omid Djalili Show (3/10)
The
Iranian comic sometimes lays it on a bit too thick in his stand-up act
(yes, we get it, you're from an unpopular country) but the sketches are
original and funny (how many comedy shows dare to feature regular
appearances by Osama Bin Ladin?). One of my favorite sketches in this
BBC series was a parody of Lynne Truss ("Eats Shoots & Leaves"),
just because it's so arcane.
Once Upon a Time in the North (11/94)
A working-class family in the North of England attempt to scrap by
while Dad (Jim Broadbent) hatches scheme after scheme to make them rich.
A serial-like quality haunts this comedy series, particularly the on-going
adventures of Dad's dim-bulb brother, and the daughter's revolving cast
of boyfriends. Amusing stuff, filmed on location and thankfully devoid
of a laugh track.
One Foot In the Grave (7/96)
This popular long-running series about a lovable old crank named Victor
Meldrew (Richard Wilson) is notable because it's the basis for a new Bill
Cosby series this year on CBS. Although I suspect something will be lost
in the translation (they've already changed the name, and "lightened up"
his character). This Christmas special, combining slapstick with a dose
of seriousness (someone is trying to kill Meldrew's neighbor, played by
the long-suffering Angus Deayton), nearly ends with both feet in the grave.
But not to worry, there's no keeping a grouch down.
One Foot In The Past (9/98)
Not to be confused with the Richard Wilson comedy, this fascinating
documentary series looks at various historic ruins and monuments in Britain,
particularly those in need of repair. Among it's weekly features are a
celebrity (such as Ian Richardson or Derek Jacobi) touring some place that
has a personal history with them. Also, triumphs of British Heritage's
restoration efforts are highlighted, with viewers often given "sneak previews"
before opening to the general public. Since Britain really is about its
history, this series is a great look at how its past impacts the present.
One For the Road (1/96)
Similar in many ways to a 1990 CBS series called Wish You Were Here,
this has a time-share salesman sent abroad to stake out new territories
for vacationing Britons armed with a video camera, but who gets sidetracked
in Israel in the pilot episode. What we see are the scenes recorded on
his little camcorder and the reactions of the folks back home. Funny situations,
all shot on location. Not bad stuff.
The One Game (3/91)
A four-part ITV mystery about a high-tech computer game company owner
forced to play the real-life "One Game" by his mad rival (Patrick Malahide)
in order to save his company. There's an annoying pay-off, but a good level
of paranoia propels the story most of the way.
The 100 Greatest TV Moments (7/00)
Graham Norton hosts this Channel 4 retrospective based on a viewer
poll to determine the all-time best, with clips of all 100 shows.
Many are familiar to any retrospective program (the Blue Peter elephant,
Emu attacking Parkinson, Daleks on Doctor Who) although some of
the surprise top selections included former Tory enforcer Michael Portillo
losing his seat in the last election. Norton supplies great commentary
in between, as you might expect.
One Night (6/12)
Four-part
BBC mini-series shown over consecutive nights about a shooting at a
housing estate that is shown from four different perspectives. Taken
as a whole we get a mosaic of how little things can add up, and points
of view can be altered. One of the most interesting characters is a
supermarket cashier and single mother (Jessica Hynes) who moonlights as
a stand-up comic. Special note must be made of the young actor playing
Alfie (Billy Matthews) who gives a haunted performance.
The One Ronnie (3/11)
80 year old Ronnie Corbett still has it, assuming you used to find his double act with Ronnie Barker or solo shows like Sorry
entertaining. There is something deliberately old-fashioned about this
variety-comedy special, aimed at nostalgic oldsters but with sketches
featuring Catherine Tate, Miranda Hart, David Walliams and Matt Lucas
to bring in younger viewers. A lot of my Facebook friends linked to a
sketch from the show where Corbett goes into a fruit shop run by Harry
Enfield to complain about his Blackberry. It employs the sort of
clever wordplay that the famous sketches by David Renwick used to write
for The Two Ronnies back in the day.
Only Fools and Horses (5/97)
This very old and long-running series with David Jason and Nicholas
Lyndhurst as the two bumbling Trotter brothers has been revived annually
on the BBC as a series of Christmas specials. For 1996 this came in the
form of three one-hour specials - the equivalent of a regular six-episode
BBC season! "Del Boy" Trotter (Jason), now married, with young son Damien
("Omen" references abound, particularly when Rodney (Lyndhurst) is around),
continues his get-rich-quick schemes, and ends up in part one running around
in a Batman costume (with Rodney as Robin), rescuing a town councillor.
Part Two takes a tragic turn, but everything turns out well in the final
part as Del's dreams of riches finally come true - though by no effort
on his part whatsoever!
On the Up (11/90)
Dennis Waterman (Minder) sitcom vehicle about a working class
man who finally makes it to the top of the heap only to discover things
aren't any easier. It's okay if you enjoy this particular genre.
Operation Good Guys (3/98)
A parody of the "fly-on-the-wall" type documentary series, this focusing
on some incompetent undercover cops. As a comedy this really misses the
mark and an entire series of this is way too much of what essentially is
a one-joke idea. Better luck next time, BBC-2.
`Orrible (3/02)
Johnny Vaughan (The Big Breakfast) was given this comedy vehicle
by the BBC about two loser best friends who get in absurd situations.
It's a bit slapstick but an attempt at sentimentality near the end reveals
that perhaps Vaughan (a co-writer) was going for something just a bit deeper.
Osama & US (3/04)
Two comics "search" for Osama Bin Laden in this irreverent Channel
4 documentary as they do joke interviews with officials both in Britain
and the United States. Eventually they end up in Crawford Texas and nearly
get themselves arrested at George Bush's ranch. But they don't find
Osama.
Our Friends in the North (9/96)
Ambitious BBC drama spanning thirty years in the lives of four friends
from Newcastle, Nicky (Christopher Eccleston), Geordie (Daniel Craig),
Mary (Gina McKee), and Tosker (Mark Strong). It begins in 1964 when Nicky
returns to his native England after spending a summer in the USA participating
in the Civil Rights march in the south only to find not much has changed
at home. He goes into politics while his former girlfriend Mary gets pregnant,
marries his mate Tosker, and moves into one of the newfangled "tower block"
flats that began to spring up at the time. Of course it's a dump (I can
speak from experience) but they are too poor to move elsewhere. Meanwhile,
Geordie goes to London where he gets involved with a Soho pornographer
(Malcolm McDowell) just in time for the "swinging sixties" to take full
bloom. Each succeeding episode is set in a general election year, advancing
the story in the lives of each character, following them through their
trials and tribulations. Pretty good stuff.
Our Zoo (12/14)
Lee Ingleby
stars this fact-based BBC family drama series as George Mottershead, a
London-based family man who in the 1930s impetuously decides to drag
his entire family into the zoo business down in Chester. As he tries to
set things up, get the proper permits, and collect the exotic animals,
each week he is opposed by the citizens of Chester who are concerned
about the impact a zoo will have (the original NIMBYs), not to mention
George's philosophy, "When I have a zoo, it won't have any bars." Not a
comforting thought when tigers and bears are about. George is supported
by his wife and family, as well as his neighbor, a recently scandalized
member of the gentry played by Sophia Myles.
Outcasts (3/11)
The
BBC's newest science fiction drama took place on the colony planet
Carpathia, so named for the ship that rescued the passengers on the
Titanic. Refugees from earth have been living there for 10 years in a
small outpost when the series began, with a damaged transport ship
coming into orbit with possibly the last colonists to get off Earth. Outcasts
made a bold choice in how to introduce viewers to this world, and
fortunately the twice-a-week scheduling initially by the BBC helped in this.
Rather than an information dump or a lot of exposition, we were dropped
into a typical day on Carpathia with characters who have had 10 years
dealing with each other. The focus was on the characters rather than
getting plot going, at least at first. It's a smart move when clearly
there was going to be a lot of backstories and plot elements to reveal
and discovering who were the good guys and who are the bad guys.
Normally I loath it when a series deliberately withholds important
information from the audience but it worked for Outcasts
because it gave viewers a chance to get to know everyone before things
kicked into high gear. My favorite characters to start were Fleur
Morgan and Cass Cromwell, two members of the security team that are
Forthaven's version of police. Amy Manson plays Fleur, she looks a bit
like a young Andie McDowell. (You've seen her in Torchwood playing Alice Guppy, Desperate Romantics as Lizzie, and Daisy in Being Human.)
Daniel Mays is Cass, who is introduced with a cloned pig on a leash
that he's confiscated. Mays was the charming but sinister Jim Keats on
the last season of Ashes To Ashes. He's put to good effect in Outcasts
teamed up with Fleur to chase after a rebel played by "Galactica's"
Jamie Bamber in the first episode. The location shooting in South Africa was suitably
otherworldly. Outcasts was no "Battlestar Galactica" by any means and the BBC moved it to a latenight slot when audience figures eroded.
The Outlaw (11/99)
A series of short satirical animated cartoons appeared on Channel 4
based on a strip by Michael Heath in "The Spectator" about a world where
cigarette smoking is ruthlessly condemned. I'm sure anti-smoking is its
theme, but it also mocks totalitarian efforts to control human behavior.
Outlaws (4/07)
BBC-3 black comedy about an idealistic public defender who faces reality in the form of Phil Daniels (Sunnyside Farm)
as his cynical mentor. Nobody comes off particularly well here: the
lawyers, their clients, the legal system, but Daniels is the sage here,
delivering the moral each week, usually a variation on "People are
scum."
Outnumbered (10/08)
Hugh
Dennis and Claire Skinner star in this BBC comedy (mercifully sans a
laughtrack) as two overachieving middle class professionals who are
undone by their children. One is constantly bullied at school but
doesn't want his father to make a big deal about it, another is a
congenital liar, while the youngest is a cute girl who asks the most
embarrassing questions of mummy and daddy. It's almost painful to
watch but the kids are charming, although the series might
inadvertently work as birth control.
Our Girl (6/13)
BBC TV movie
about a young chav (Lacey Turner) who joins the British Army to earn
some self-respect and not end up like all her friends. She doesn't get
much support at home for her decision, but eventually realizes her real
comrades are her fellow soldiers. Not a terribly original story, but
done well enough.
Out of Sight (3/97)
Children's ITV series written by Richard Carpenter about a young scientist
who discovers an invisibility formula. Filmmakers love this gag and milk
it for all its worth: plenty of floating objects, buttons pushing themselves,
shoeprints appearing in dirt, and people talking to thin air. Harmless
but nicely mounted.
Outside Edge (7/94)
A six part comedy/drama based on a play about a man completely obsessed
by his cricket team and the way his wife reacts after constant exposure
to another couple whose lives aren't quite so cricket-dependent. Josie
Lawrence (Whose Line Is It Anyway) and Timothy Spall (Frank
Stubbs) are the couple who let it all hang out and practice nooky
whenever they can get a chance. Josie's independence and ability to mend
cars and fix roofs ultimately forces the other woman to come to grips with
what is truly lacking in her life. There's a lot of cricket playing as
well.
(7/95)
Another series of the cricket-based comedy with Timothy Spall and Josie
Lawrence. Understated material which frequently goes for poignancy rather
than laughs, much I assume like the game of cricket itself. Robert Daws
is anally-retentive as ever as the team captain Roger Dervish, a comic
monster whose schemes for organization don't always play out.
(7/96)
The quiet cricket comedy returns with a special episode about the team's
recent trip to Corfu (a Greek island), recounted in a hilarious home movie.
(9/96)
The cricketing comedy, returns for a third season with the Dervish's
achieving domestic bliss while Maggie and Kev nearly breakup over a startling
revelation.
Over Here (11/96)
Two part BBC comedy/drama about the American forces' first arrival
in England during World War II. Martin Clunes
plays the British liaison officer who on the first day must deal with a
German attack that devastates the American's new base, and then an accident
that results in a British spitfire mistakenly attacking the American planes
as they arrive. Some of the humor is a bit forced (especially a running
joke about an American General's prosthetic arm) and the American accents
are all over the board. But overall, the characters on both sides are appealing
and it ends awash in sentimentality.
A | B | C | D | E | F | G | H | I | J | K | L | M | N | O | P | Q | R | S | T | U | V | W | X | Y | Z